Coding, prompting, “deprompting”: testing AI generated images against the “broken telephone” game, based on images from the Ad Library Political Observatory

Team Members

Facilitator: João Guilherme Bastos dos Santos

Participants: Matilde Ficozzi, Carlo De Gaetano, Christian Bitar, Omer Rothenstein, Federica Bardelli, Carla D’Antonio, Quyang (July) Zhao, Piyush Aggarwal, Guillén Torres

Contents

1. Introduction

Prompt design can be understood similarly to query design, as a prompt aiming to understand cultural dimensions in visual research, forcing the AI to make sense of ambiguity as a way to understand its training dataset and biases ( Niederer, S. and Colombo, G., ‘Visual Methods for Digital Research’). It moves away from prompting engineering and efforts to make “code-like” prompts that suppress ambiguity and prevent the AI from bringing biases to the surface. Our idea is to keep the ambiguity present in the image descriptions like in natural language and let it flow through different stages (degrees) of the broken telephone dynamics. This way we have less control over the result or selection of the ideal result and more questions about the dynamics implicit in the biases present in the results obtained.

Different from textual or mathematical results, in which prompt chains or asking the AI to explain how it got the result might be enough, images and visual methods assisted by AI demand new methods to deal with that. Exploring and developing a new approach for it is the main goal of this research project, particularly interested in possible biases and unexplored patterns in AI’s image affordances.

How could we detect small biases in describing images and creating based on descriptions when it comes to AI? What exactly do the words written by AI when describing an image stand for? When detecting a ‘human’ or ‘science’, for example, what elements or archetypes are invisible between prompting, and the image created or described?

Turning an AI’s image description into a new image could help us to have a glimpse behind the scenes. In the broken telephone game, small misperceptions between telling and hearing, coding and decoding, produce big divergences in the final result - and the cultural factors in between have been largely studied. To amplify and understand possible biases, we could check how this new image would be described by AI, starting a broken telephone cycle. This process could shed light not just into the gap between AI image description and its capacity to reconstruct images using this description as part of prompts, but also illuminate biases and patterns in AI image description and creation based on description.

It is in line with previous projects on image clustering and image prompt analysis (see reference links), and questions such as identification of AI image biases, cross AI models analysis, reverse engineering through prompts, image clustering, and analysis of large datasets of images from online image and video-based platforms.

The experiment becomes even more relevant in light of the results from recent studies (Shumailov et al., 2024) that show that AI models trained on AI generated data will eventually collapse.

To frame this analysis, the proposal from Munn, Magee and Arora (2023) titled Unmaking AI Imagemaking introduces three methodological approaches for investigating AI image models: Unmaking the ecosystem, Unmaking the data and Unmaking the outputs.

First, the idea of ecosystem was taken for these authors to describe socio-technical implications that surround the AI models: the place where they have been developed; the owners, partners, or supporters; and their interests, goals, and impositions. “Research has already identified how these image models internalize toxic stereotypes (Birnhane 2021) and reproduce forms of gendered and ethnic bias (Luccioni 2023), to name just two issues” (Munn et al., 2023, p. 2).

There are also differences between the different models that currently dominate the market. Although Stable Diffusion seems to be the most open due to its origin, when working with images with this model, biases appear even more quickly than in other models. “In this framing, Stable Diffusion becomes an internet-based tool, which can be used and abused by “the people,” rather than a corporate product, where responsibility is clear, quality must be ensured, and toxicity must be mitigated” (Munn et al., 2023, p. 5).

To unmaking the data, it is important to ask ourselves about the source and interests for the extraction of the data used. According to the description of their project “Creating an Ad Library Political Observatory”, “This project aims to explore diverse approaches to analyze and visualize the data from Meta’s ad library, which includes Instagram, Facebook, and other Meta products, using LLMs. The ultimate goal is to enhance the Ad Library Political Observatory, a tool we are developing to monitor Meta’s ad business.” That is to say, the images were taken from political advertising on the social network Facebook, as part of an observation process that seeks to make evident the investments in advertising around politics. These are prepared images in terms of what is seen in the background of the image, the position and posture of the characters, the visible objects. In general, we could say that we are dealing with staged images. This is important since the initial information that describes the AI ​​is in itself a representation, a visual creation.

To unmaking the outputs we will explore the findings in the process subsequently in this document.

2. Research Questions

RQ1 - If we give a prompt to an AI model to “tell” (describe) what is in an image, could this same AI or other models reproduce it accurately afterward based solely on the previous description (“deprompt”)?

RQ2 - The different degrees down the “broken telephone” game could amplify biases in IA image description and creation? What about cross-AI models?

RQ3 - Could previous results help us understand invisible dynamics in the gap between prompting and “deprompting”? Could it help us understand its potential and limitations in new digital methods to analyse images and videos in platforms such as Facebook? How could it be complementary to computer vision and image clustering methods?

RQ4 - Clustering the images in the end of the process would group images with similar original image-sources? Or different AI models will group together regardless of the image used as a source?

3. Methodology and initial datasets

We collaborated with theAd Library Political Observatory facilitated by Guillén Torres and Piyush Aggarwal, who have collected datasets for the following countries, around their elections (or debates):

• U.S.

• India

• Mexico

• Netherlands (European Election)

We just worked with U.S and India for the broken telephone tests.

The datasets include the following information and many other data points.

Ad creation time, Ad creatives, Ad link captions, Ad link descriptions, Ad link titles, Ad start/stop time, Ad url, Ad gender, age breakup, Ad payers, Byline, Ad region breakup, Demographic distribution, Audience size, Reach, Impressions, Spend, etc.

We also have collected the images included in the advertisement, since our goal is to explore visual methodologies to get insights from them.

The 2 thousand images with the biggest audience in each country were registered and the ones available for download were clustered and used as an initial dataset for the broken telephone process.

Image sorter was selected as a clustering tool and thus began the process of browsing through the images to select the representatives to be used in the prompting process. Criteria for the selection were not precisely stated, as it is an explorative phase of the research. The only prerogative is that the images selected must contain “interesting” subjects that might trigger some bias in the AIs.

Two approaches were carried out in parallel. One approach was to manually check the images by browsing through the tool image sorter, trying to find the most relevant or interesting ones.

The other approach was to use ChatGPT to cluster the images based on the subject. A zip folder with all the images was uploaded. The AI could not correctly carry out the request of clustering and describing the clusters due to the fact that the folder contained too many images. In order to solve that, it suggested uploading just a batch of 20 images. It managed to create clusters and also accurately described the images, but these clusters are not necessarily significant.

Another try was made by giving ChatGPT a single image and asking it to describe it: ChatGPT was successful, and it was able to give an accurate description of the image. after asking it to create another image based on the description it was successful in the task. NOTE: The original image contained a portion of a political party symbol. When asked to create another image, the result was a much more exaggerated representation of the subject, spreading the symbol everywhere on the image.

After trying these two approaches, the final decision is to use the hand-picked images, as they are much more representative and intentionally ambiguous. The objective was to find ambiguity and then force the AI to disambiguate.

The images were clustered, after which a few clusters were selected for further analysis, and then images were selected as representatives of each cluster. ChatGPT was asked to describe each of the representative images, with that description used as the source for the first round of Gen-AI images. The aim was to use the AI’s image description as a basis for generating images, both between platforms (to check interoperability and specificities, consistency between models) and within the same AI (bi-directionality, reliability). Image descriptions from a single AI were tested in many different generators.

Models used:

• Dall-e 3 (through ChatGPT)

• Midjourney

• Stable Diffusion (through DreamStudio)

We used the different models to create a chain of images and descriptions. Starting from a seed image and its given description by ChatGPT.

This is a mixed methods approach, combining Facebook ads data, clustering to prioritize images, AI resources to describe and re-create images (initially focused on DALL-E and Midjourney, and expanded to Stable Diffusion) based on the prompts “Describe this image” (always in ChatGPT) and "Create an image based on this description:” (using ChatGPT and other models).

The protocol was thus to create an image from a prompt, then to “deprompt” each selected image by asking ChatGPT to “describe this image”, and then use the description as a new prompt. Starting from descriptions of selected images, we repeated the process five times for each chosen seed image. It was necessary to create a new chat for each step of the way to prevent the AI from just copying the image that was used as input. In some instances, ChatGPT blocked the process after a few tries because of “guidelines violations”, and when asked to explain what constituted those violations it explained that referral to real people and a real active political party were not allowed. It is unclear (In the case of DALL-E) why it didn’t block the process from the beginning.

4. Findings

RQ1 - If we give a prompt to an AI model to “tell” (describe) what is in an image, could this same AI or other models reproduce it accurately afterward based solely on the previous description (“deprompt”)?

A1- It happened a few times (therefore it is possible) but most times it does not happen. OpenAI (ChatGPT and Dall-E) was not able to reproduce the images it was prompted to according to its own descriptions and was usually less stable across “deprompts” (overamplifying situations) in comparison to other modules – though more accurate when it comes to generate images related with actual political campaigns, politicians and symbols. It appears that the broken telephone caused a sort of feedback loop where certain words used to describe an image caused the IA generating image to amplify certain aspects of the original image which would, in turn, be featured more prominently in future generated images – sometimes increasing the number of people and objects exponentially.

RQ2 - The different degrees down the “broken telephone” game could amplify biases in IA image description and creation? What about cross-AI models?

A2- Yes, certain biases of both the generative text model (ChatGPT), and the generative image models emerged in different aspects of the generation process. These are described case by case in the Discussion session, passing through images with nationality, race and gender in ways that were not clear in first stage of the process.

RQ3 - Could previous results help us understand invisible dynamics in the gap between prompting and “deprompting”? Could it help us understand its potential and limitations in new digital methods to analyse images and videos in platforms such as Facebook? How could it be complementary to computer vision and image clustering methods?

A3 – The results gave us a glimpse into patterns happening progressively throughout the broken telephone, like increasing more and more the central role of specific figures in the image, making protests bigger and bigger, increasing more and more the amount of skin shown when depicting a female character, among others (again, it was presented case by case in the Discussion session). These tendencies shed light into the need for more studies about biases before applying AIs description or image generation as a source for understanding data about political events. Computer vision could help us understand which elements are able to trigger feedback loops when present in the images generated, open space for complementary use.

RQ4 - Clustering the images in the end of the process would group images with similar original image-sources? Or different AI models will group together regardless of the image used as a source?

A4 - Given differences in styles and colours between in the way different AIs portray the same prompt (choosing a “notable figure” as a politician or as a religious figure brought different clothes and colour palettes, for example), images coming from the same original description does not necessarily group together. Images coming from the same generative AI in different stages of the broken telephone, though, does bring similar palettes and tend to group together. This specific question, though, need further exploration to test different kinds of image embeddings (we just used ImageSorterV4 for the tests).

5. Discussion

We now explore the different results of the broken telephone process when the very same description of an image from Meta Ad Library is described by ChatGPT is used as a starting point for the broken telephone process in Dall-E, Midjourney and Dream Studio, all going back to ChatGPT for ne descriptions in each stage. We will go through nine images (five from India and four from the United States of America), being the Indian ones a street market trading scene (Meta Ad Library id 908752667667552), BJP political campaign (3673711239611791 and 741964741427730), problematic political cartoons (327977776661801 and 345472831844966), and the US ones pictures people talking or reading about sensitive topics (1097954751485997 and 1175294460274614) and protests of people holding signs (793416362694934 and 1414979136072795). The analysis starts with the original description and image (equal to all models) referred to as stage 1, being stage 2 the description of the previous stage’s image and the new image resulting from using it as a prompt, being this new image described in stage 3 and the same for the next stages. To enable further exploration and reproducibility, the mentions to images and descriptions will follow the pattern (MODEL, Meta Library Id, stage) – noting that images result from the different models indicated, but descriptions are always from ChatGPT. The team gave provisory names to each broken telephone process, and these are the names before the Ad Id in each topic.

By creating an image, AI gives meaning to what was previously ambiguous: a person starts to have traits of gender, colour, ethnicity, face, clothes, expressions. Each reiteration causes these initial assumptions to be confirmed in the images created, potentially appearing in the new ChatGPT descriptions, opening the way for the initial factors to be extrapolated if there is a tendency to do so and for other ambiguous factors to be filled in with information. It could happen either because of a model tendency to portray groups or scenarios in a specific way, each models’ sensibility to specific elements working as contextual markers when defining what is more important in the prompts, incompatibilities between the model’s images and ChatGPT ability to describe it, among other reasons.

“Spices and Bread” (908752667667552)

As an example of an element that can distort the interpretation of the whole context, we have the “white head strap” of a single individual in the street trading scene (image 908752667667552). Interpreted as a turban in both Dall-E and Midjourney creations, it converts the scene into (following further Chat GPT descriptions) an apparently Middle Eastern bazaar.

In Dall-E, we go from just one in four with a turban and beard, to 11 men with turbans or Arab scarves; from no elderly people among the 4 in stage 2, to a “group of elderly men” (Dall-E, 908752667667552, stage 5) with 6 elderly people with beards and grey hair among the 7 in the image; from no piles of spices to 8 piles, 25 piles and then 76 piles between stages 2 and 4 (Dall-E, 908752667667552). We go from one person with a head strap at stage 1 to eleven people wearing “traditional Middle Eastern attire including turbans and robes” and trading colorful spices in a scene that “captures the essence of a traditional Middle Eastern bazaar” (Dall-E, 908752667667552, stage 5). The models that understand that the scene is located in the Middle East (Dall-E and Midjourney) create long beards even if they haven't been mentioned; in Dall-E, though, once the beards created appear in the description, the following image created based on the latter turn the beard created into grey, and this becomes a process in which more and more characters have beards, increasingly white, as well as turbans. Therefore, beards and turbans are also a feature of the Midjourney images, but without the multiplication factor noted above. It also mention “historical Middle Eastern attire with turbans and robes” and that “overall atmosphere suggests a market or trading environment rich with history and cultural significance” (Midjourney, 908752667667552, stage 5).

Even before associating it with any location, in stage 1 there is already a mention to local food culture, bringing into question what exactly would be a universal food culture.

In Stable Diffusion, however, although the initial image is the one that most closely resembles the original, without mimicking what is referred to as a Middle Eastern bazaar, there is a process of increasing Europeanisation of the characters. From young people with darker skin tones selling fried snacks in stage 1 to white elderly people selling different kinds of apparently European breads in stage 5 (Stable Diffusion, 908752667667552, stage 5).

There is another element, the “apron” that appears in stage 2, initially in one person and then in all of them, defining the people in the scene as vendors. It goes from a “bustling market” scene mentioned in stages 2 and 3, to a “historic town setting” and a “sense of nostalgia” (Stable Diffusion, 908752667667552, stage 5).

“Centre of Power” (3673711239611791)

The transition from political to religious or cultural events also marks the case of Modi with a group of women and the subtitle “33% reservation and equal rights to permanent commission” in Hindi (image 3673711239611791). In the description we have a group of women together with a man, the latter being a “notable figure” with a “colourful scarf” making a “significant announcement”. When describing an Indian setting and an important building, Dall-E creates images with an Indian flag (like the same model in the quota case), from one flag in stage 2, to “Several women in the front row are holding Indian flags, emphasising a patriotic theme” in the following (Dall-E, 3673711239611791, stage 3), leading to a crowd of women would be involved in activities aimed at “unity, pride, and celebration, with a strong emphasis on cultural and national identity” (Dall-E, 3673711239611791, stage 5). The prominent man with the “colourful scarf” initially appears with a bright pink turban and later with all his clothes in the same colour, appearing higher and higher in the image. From stage 2 to 3 the women goes closer to the ground (and no longer in the stairs that put them higher than the man), from stage 3 to 4 the man goes up a small platform, his feet being as high as the women shoulder and in stage 5 the platform goes even higher than the women head. From stage 3 to 4 a line of women appears in the foreground sited with their back turned to the foreground (all women were facing the foreground in the previous stages) and in stage 5 all women in the foreground are looking to the “notable figure” in the background. The number of women multiply to point that they occupy all empty spaces in the ground.

In Stable Diffusion, the lack of mentions to Indian politicians, texts or symbols – not identified in ChatGPT in the first image created by the model – paves the way for greater autonomy in the creation of further images, and the group of women becomes a group of white women (with one exception) with colourful mid-20th century outfits “posing cheerfully” in a “festive atmosphere” (Stable Diffusion, 3673711239611791, stage 2). Although the descriptions only mention “large group of women” in stages 2 to 4 and “large group of people, predominantly women” in stage 5, in all the images the group of women is basically all white. The variety of colours in their clothes is mentioned in the descriptions, but the figure of a male leadership disappears in the very first image generated (stage 1). In the images, the period of the clothes changes, as does the presence of hats in the same colours as the clothes.

In Midjourney, we again have the idea that the “notable” man is a religious or spiritual leader, in a historical or sacred space, although the idea of women's rights is still present. It seems to be related to the colours involved, in which the Midjourney attributes an orange clothes to the “notable figure” and then ChatGPT uses the colour as an indicator of religious leadership, as when it describes women “surround a man dressed in saffron dressing gowns, indicating he might be a religious or spiritual leader” (Midjourney, 3673711239611791, stage 2). In the last stages, the religious dimension stands out, with a “religious or spiritual gathering” around a man with a beard, in which the women show “joyous reverence and communal celebration” (Midjourney, 3673711239611791, stage 4) and eventually “devotion, admiration, and celebration” (stage 5).

“Orange is the new Orange” (741964741427730)

The relationship between the colour orange and the religious scenario also marks the difference between the interpretations given to images involving the BJP party in India. Dall-E was able to maintain the specificity of the orange colour and the lotus symbol associated with the party, differentiating it from the religious association between orange clothes and Buddhist monks, passing on the political-electoral process in India through the broken telephone process (Dall-E, 741964741427730); the other models associate the colours with “Hindu religious processions or events” (Midjourney, 741964741427730, stage 3), “wearing orange dressing gowns, suggesting they might be monks or participants in a religious festival” (Midjourney, stage 4) or migrate to the aesthetics of a “massive gathering or protest” with a “sea of orange dressing gowns” as in the monk protests that marked Myanmar (Stable Diffusion, 741964741427730, stage 5) with the detail that the dressing gowns were “identical”. Specificities such as language associated with some places - such as the Gujarati text identified in the image by ChatGPT 's description - would help to locate events and interpretive contexts in India or Pakistan, though only Dall-E brings specificities and political symbols unequivocally related to local parties and campaigns to the images.

The recurrence of the colour orange and the lotus symbol associated with the BJP's campaigning context in India is recognised in the first description and inserted into the images by Dall-E in the various images created. The BJP's lotus is even multiplied in orange flags and in the centre of a flag with the colours of the Indian flag. In stage 3 a picture of Narendra Modi himself appears (Dall-E, 741964741427730, stage 3) causing Dall-E to refuse to continue creating images – once itself brought to the image described something it could not replicate if asked for. This is because the description of the image created by Dall-E itself features Modi and therefore creating an image would involve “generating images that depict specific real-life political figures and events, as well as symbols associated with active political movements. This can include representation of public figures like Narendra Modi or specific political parties and their associated logos” (Dall-E, 741964741427730, stage 4). In other words, elements brought into the images by Dall-E itself, when described and transformed into a prompt, result in Dall-E refusing to generate images because they violate the rules of the model.

Another important dimension is the recognition that the jeep is an important element in the image, so that recreations of Dall-E and Midjourney are restricted to the surroundings of this element and don't extrapolate the original context as radically as Stable Diffusion (in which the street is widened considerably and at the end you can't even see the cars anymore). By decorating the jeep with orange flowers and integrating it into the event, the idea that the cars are trying to pass through the demonstration – present in descriptions of Stable Diffusion images - is avoided.

“I boat, you boat, we boat” (327977776661801)

Even sophisticated issues such as the criticism of the quota system in a comic in which Muslims first enter a “boat” of quota and then expel the groups that were in the boat before they entered (image 327977776661801). The initial description is accurate, associating abbreviations on the boat with different types of quotas, translating the overall meaning as “The cartoon depicts how political leaders use the reservation system to gain votes and support initially but disregard those same people once they have achieved their political goals. The leaders are shown laughing in the last panel, indicating betrayal or disappointment. This cartoon uses humour and exaggeration to make a point about the exploitation of reserved quotas by politicians for their own benefit”. In other words, the dimension of stigmatisation of Muslims is absent, even if the general context is understood.

In Dall-E, we can see the transformation of the small boat into three large boats on which people are carrying various Indian flags (Dall-E, 327977776661801, stage 2), which are then converted into even larger boats, including three-storey boats in the images. There is black smoke in the sky, which GPT itself recognises as a sign of a “somber or critical atmosphere” (Dall-E, 327977776661801, stage 3). In stage 3 a Taj Mahal appears without being mentioned in the description and influences the configuration of stages 4 and 5, bringing small boats (the big ones disappear), people being mostly on the shores of the river conducting to Taj Mahal, and no more with the smoky background in the last two stages.

In Stable Diffusion the image of stage 2 brings a boat with only elderly white people, a pattern that goes through all the broken telephone process. In the end (Stable Diffusion, 327977776661801, stage 5) they are out of the boat, apparently in a coastal touristic place, walking with spinner luggage or backpacks, with some mountains behind them. This was a case in which the transition to white people was more abrupt and completely independent from the original context (even the idea of boats disappears giving place to a touristic scenario on the ground).

In Midjourney, the quotas acronyms are kept through images in stages 1 and 2 (consequently in the descriptions 2 and 3), being correctly understood as “metaphorically addressing issues of quota or reservations, common in South Asian contexts” (Midjourney, 327977776661801, stage 2), with the indication of clothing being a “sari” working to help signal the likely region. The speech bubbles contain writing errors, interpreted by ChatGPT as deliberate “The comic strip appears to address themes of social quotas and space allocation, possibly related to caste-based reservations in India. The broken and phonetic English suggests a satire or commentary on the language used in these discussions” (Midjourney, 327977776661801, stage 3) and “The dialogue appears intentionally scrambled, possibly to emphasise confusion or miscommunication.” (Midjourney, 327977776661801, stage 4). Once the quotas and the “sari” are lost in the description, it opens space for boats in different regions – like the indigenous groups in a forest.

“Wonder Woman” (345472831844966)

The nominal mention of the politician Mamata Banerjee in the description associated with the presence of weapons and explosives in the cartoon led to a refusal to produce images by Dall-E, but not by the other models - which even retain weapons and phrases such as “ISIS safe” in the images produced. Again, despite starting with the exact same description as a prompt, there are radical differences in the way different models go through the broken telephone. While Stable Diffusion mentions the sari in stage 2 (Stable Diffusion, 345472831844966, stage 2), and this element seems to maintain the Indian context, the description coming from Midjourney image only mentions a “traditional attire” and the phrase “ISIS safe” (Midjourney, 345472831844966, stage 2) without clear regional attachment, and other texts are pointed out as meaningless.

In the first case, the scene evolves through the broken telephone to one in which there is a young woman in a sari wearing heavy jewellery, large earrings surrounded by a “crowd predominantly women” and looking at the viewer posing in a “possible cultural or ceremonial context” (Stable Diffusion, 345472831844966, stage 4), while Midjourney features a scene in which more and more women in red hijabs join together in a demonstration in favour of “safety and empowerment for women” around a “leader or a significant speaker” who uses a microphone (Midjourney, 345472831844966, stage 5). Although they both maintain the idea of a female in a central role, they are both young women (Mamata was born in 1955) and the audience progressively becomes an audience of only young women wearing similar clothes to the speaker, rather than a diverse crowd (either in terms of age or gender). The political dimension is clearer in the large group of woman with similar red hijabs following a leader with microphone.

“Women don’t talk about politics” (1097954751485997)

In the case of a video frame in which women are talking about sexual violence (image 1097954751485997), both wearing trousers and long sleeves, there is a progressive increase in the amount of skin showing in the case of Dall-E (at least with regard to the participant on the right of the image) until she ends the broken telephone series apparently wearing only a blazer to cover her body. In Stable Diffusion, on the other hand, both are turned into blonde pin-up girls with short hair, wearing jewelry and holding orange drinks.

Initially described as “dark clothing” in the description of the original image - in which she appears with long sleeves – the women on the right moves on to “black sleeveless top and dark pants” and “chunky boots” (Dall-E, 1097954751485997, stage 2), then to a slim “black strappy top” (stage 3), “stylish black outfit with strappy high heels” (stage 4) and finally “black blazer and shorts outfit paired with strappy high-heeled sandals” (stage 5). The woman on the left of the image, initially described with a “navy blue long-sleeve”, changes to a “blue, form-fitting outfit” which leads to highlighted contours (Dall-E, 1097954751485997, stage 2) that are maintained in the new images and descriptions until she is replaced by a “blue, long-sleeved dress” (stage 5). It happens even though the description in all stages between 2 and 5 state that they are “engaged in a serious conversation”.

Although the Stable Diffusion case also contains the idea that “body language suggests a serious conversation” in the description of the first image (Stable Diffusion, 1097954751485997, stage 2), this information is lost in the next stage. “Retro”, “vintage”, elegant styles with “pearl necklace, earrings” and “drinks” become decisive in the evolution of the overall picture towards the pin-up style.

Midjourney is the only one who has managed to keep the images consistent with the original, changing the hair colour to blonde, but maintaining an interview posture, without highlighting the body or adding props such as jewellery. In all of them, the initial phrase “Your body is just open to everyone” is lost, sometimes reappearing in scrambled versions written on the wall or in pictures (Dall-E), as a caption or written on the window (Midjourney) or simply absent from the first image generated (Stable Diffusion). In the case of Dall-E, sometimes the garbled versions of the text were interpreted as a sign of “potentially deeper conversation or hidden context” (Dall-E, 1097954751485997, stage 3) or “a playful or artistic take” (Dall-E, 1097954751485997, stage 4).

“Stable Rainbow” (1175294460274614)

The case of the street library in Dall-E (Dall-E, 1175294460274614) provides one of the few examples of a successful broken telephone, despite the number of potentially misleading context signs such as the small signs “Critical Race Theory”, “Love & Marriage”, “Greek Art”, with the potential to lead the model into contextual errors. Even subjective details of the description passing with little change to the image resulting from the prompt and back to the new description and subsequent image, more than once, in “peaceful and educational” (Dall-E, 1175294460274614, stage 1); “cozy and educational atmosphere” (stage 2); “cozy and welcoming atmosphere” (stage 3); “cheerful and inviting atmosphere” (stage 4). The image of the man and the girl (despite variations in the man's age), as well as the fact that it's a small street library on a pavement, manages to make it all the way to stage 5.

Midjourney is also able to pass on elements such as the “heartwarming scene”, appearing in stages 2 and 3. However, both Midjourney and Stable Diffusion feature black people in the first frames (which doesn't happen in the other creations), perhaps influenced by the “Critical Race Theory” sign, going through a whitening process in the subsequent stages. Both also miss the figurative meaning of the rainbow above the bookshop, the fact that it's a small pavement bookshop, as well as the signs involved, disappearing even in the early stages of Stable Diffusion (in which the characters start appearing on a sofa inside a large library from stage 3 onwards) and turning into signs such as “Race Thru & History” in Midjourney (which shows a library with mystical overtones with rainbows, moons and comets in the sunset sky), mixing up combinations and scrambling letters that misses the original meaning.

“No signs needed” (793416362694934)

One image easily found online but whose content is not clear just considering the image itself is the one that brings voters wearing masks and waiting in line at Washington High School during the COVID 2020 outbreak, with a person holding a sign with the phrase “This is Ridiculous” (image 793416362694934). It was easily understood as a COVID related topic, but explained as “people are waiting for something, possibly related to health measures, testing, or vaccinations. The mood appears to be one of frustration or discontent, as indicated by the sign.” The word “frustration” was exactly the one chosen when this picture was shown in an abc News “voting during the outbreak” video (https://abcnews.go.com/Politics/nation-battles-coronavirus-wisconsin-election-forges-person-voting/story?id=70000488).

Dall-E refuses to produce images, considering that it brings “references to potentially sensitive topics such as the COVID-19 pandemic and visible expressions of frustration or discontent”. Stable Diffusion produces images in which masks still sign to “health precautions are necessary, such as during the COVID-19 pandemic”, but this time Chat GPT is able to tell that “exact nature of the protest is not fully clear from the image alone” (Stable Diffusion, 793416362694934, stage 2).

Again, the problem with keeping words through the broken telephone process is attributed to artistic purposes, and the “nonsensical arrangement of letters, possibly meant to be symbolic or obscured for artistic effect” (Stable Diffusion, 793416362694934, stage 5) and errors are corrected in the description stage, as in the remark “'THIS IS RIDICLOUS' (with a misspelling of 'ridiculous')” (Midjourney, 793416362694934, stage 2) with the corresponding generated image bringing the prominent “RIDICLOUS” and a smaller “ridiculous” under it. After the appearance of the description “young man with curly hair” as the central figure, there is considerable standardisation in the person portrayed by Midjourney in images 3, 4 and 5 (in contrast to the variations in character and angle in images 1 and 2).

One interesting difference is that the people portrayed in Stable Diffusion between stages 1 and 3 are all black despite any mention to colour skin, and the text is completely lost in the first stage. From “Each person is holding a sign with text” to just “The person in the front centre is holding a sign”, and no one holding signs in the last image.

“Men in Black” (1414979136072795)

In this scenario, the case of the conservative Dr Ben Carson holding a placard (image 1414979136072795) and the fact that all the AI-generated images depict white men (Carson is black), though none of the 13 descriptions of the original image and its variations mention skin colours, shows a bias that appears recurrently and independently through the various stages of the broken telephone. In the case of Dall-E, the bias is amplified as the number of participants multiplies until it becomes a bigger demonstration of white people (Dall-E, 1414979136072795, step 5). When the fact is mentioned as something involving a historical figure, the white character starts wearing period clothing (Stable Diffusion, 1414979136072795, step 5).

This case brings up other interesting points, such as the change in the type of visual elements Dall-E combine with the “man in a suit” from the moment one of the images bring up sunglasses: props such as “white boutonnieres pinned to their lapels” usually involved in ceremonies such as weddings, but not in political demonstrations, start to make up the look and consequently appear in the description (Dall-E, 1414979136072795, stage 5). This may point to how specific elements dialogue with the training corpus, in which prompt for suit and sunglasses bring elements associated with fashion and suits, but would not necessarily appear spontaneously in the simple association between suits and political figures.

There is also the ability to pass abstract words from description to image and back to the description, like in the case of “possibly the Supreme Court of the United States” to “resembles the United States Supreme Court”, keeping the image uncertain enough for the new description not to state that it is the Supreme Court for sure, but similar enough for it to point out the similarity (Stable Diffusion, 1414979136072795, step 2). On the other hand, Dall-E jumps from the possibly the Supreme Court to an image that is similar enough for the new description to state that it is “the Supreme Court” (Dall-E, 1414979136072795, step 2). Finally, ChatGPT 's descriptions give an artistic interpretation of the images generated by Midjourney, contrasting the size of the columns with that of the person demonstrating, stating that “solitary presence against the imposing backdrop” (Midjourney, 1414979136072795, stage 4).

6. Conclusions

This project was able to analyse AIs decisions when describing (ChatGPT) images chosen by our team among the images from Meta Ad Library related to elections in US and India, and generating new images (Dall-E, Midjourney and Dream Studio/Stable Diffusion) based on these descriptions, feeding five “description as prompt for generation” cycles/stages to amplify AI’s biases in a “broken telephone” process. Our choices were focused on images with greater ambiguity, to explore AI potential biases and capacity to assist digital methods analysis in this field. In this report, we brought nine images (though some more were analysed during the week): two showing political campaign/rally, two political cartoons containing problematic content, two bringing social interaction, two protests with people holding signs, and a frame of an interview.

The method shed light into the radically different results we have according to the interaction between ChatGPT and the different image generation models involved, despite having the exact same starting point and going back to the same description AI in each stage. Biases were present both in image’s description (in which highlighting or omitting elements directly impacts the next generations of images) and creation (in which the elements not mentioned in the description force the models to make choices repeatedly). To see answers divided by each specific question, check the Findings topic above.

Some elements avoided by ChatGPT description - such as the colour of people - open space for biases in the process of generating images by different models, in which these elements cannot be avoided: if you just write the word “person” without defining their colour, you will need to do it when creating the image of that person’s skin if visible. Therefore, the points that are avoided or forbidden in the description are precisely those that are most open to ambiguity when these texts are turned into images prompts through the broken telephone process, being the ones in which we can look for biases. Texts could work helping the AIs. Even abbreviations of quotas for specific segments can be considered by the AI and help it accurately understanding dimensions of a political cartoon. But all image generating models had trouble in bringing texts to the image generated, losing it stage by stage. Interestingly, ChatGPT attributes the misspelled words or unconventional proportions in images created by different generative models to artistic intentions or a way to show how difficult the communication inside the topic is (check the Discussion topic for examples).

Sometimes the nationality of the text identified is a trigger for the AI to insert symbols and keep national contexts event in the absence of the initial text. Dall-E inserted national flags without mentions to it in the description – in one of the cases shown, simply identifying languages from India is enough for it to insert the national flag and multiply it once it is in the new descriptions. On the other hand, it inserts texts in the language of the supposed place in which the situation is taking place, like in the “bazar case”. It points to the creation and insertion of symbols that gives roots to a non-ambiguous meaning and interpretation of the image created and interacts with the broken telephone process because a single element can distort context and achieve self-reinforcing biases in the creation of images and new descriptions (mentioning a head strap, an apron, or a building that looks like Taj Mahal). It also shows that some elements function as contextual markers and are used to deal with ambiguities following specific biases (associating head strap with turbans, turbans with Middle East, and Middle East with bazars, for example).

It also shows that the broken telephone is possible – it does bring two successful cases among the ones discussed – but really rare. On the one hand, even subjective details can go from one stage to the other (like the idea of a “cozy atmosphere” that can be turned into an image and decoded as a “cozy atmosphere” in the next description), on the other hand, we have radical changes when it comes to nationality and colour of people in the original image, women clothes and positions in a specific situation, meaning of political cartoons, among other cases of biased distortion (different from a simple random mistake). Some differences are expected: choosing if a “notable figure” will be represented as someone wearing political or religious clothes is necessarily arbitrary, and the description of this clothes.

All images bringing similar white people in a case where skin colour is not mentioned in any description, or tree stages bringing similar groups of black people when the description does not mention it, for example, cannot be considered a mistake related with randomness. Expressions such as “traditional attire” appear many times, in some of them bringing images of Middle East (though original prompts were related to India), also brings the discussion about what is “non-traditional”? What would be an AI’s universal attire, food or place? These and other questions need to be answered by further research.

7. References

ALAgrApHY, The Telephone Game: An Ultimate Test for LLMs and Image Generators, Oct, 2023. https://alagraphy.medium.com/the-telephone-game-an-ultimate-test-for-llms-and-image-generators-9e891a206bd8

RIEDER, Bernhard (2015). YouTube Data Tools (Version 1.30) [Software]. Available from https://tools.digitalmethods.net/netvizz/youtube/

RUIZ, Nataniel, et al. Fine Tuning Text-to-Image Diffusion Models for Subject-Driven Generation. rXiv:2208.12242v2 [cs.CV] 15 Mar 2023.

SANTOS, João Guilherme Bastos dos; AZEVEDO, Dilvan; TELES, Alexandre . Que stories são esses? As estratégias de uso do Instagram nas campanhas eleitorais municipais da região Sudeste do Brasil em 2020. In: AGGIO, Camilo, CAVASSANA, Fernanda, MASSUCHIN, Michele. (Org.). Eleições municipais em rede: o contexto digital em 2020. 1ed.Curitiba: Carvalho Comunicação, 2023, v. 1, p. 1-312.

From Ranking to Clustering Cultures towards a time-varying network analysis of YouTube algorithms on Global Warming and Climate Change. https://www.digitalmethods.net/Dmi/SummerSchool2022ClusteringCultures

Gramming #covid19, reframing the pandemic. https://metodosdigitais.fcsh.unl.pt/?page_id=2208

Prompting for biodiversity: visual research with generative AI. https://www.digitalmethods.net/Dmi/PromptingForBiodiversity

Meta’s ad library

Meta Ad parameters

Sample Ads data for reference for Poland

Munn L., Magee L. and Arora V. (2023) Unmaking AI Imagemaking: A Methodological Toolkit for Critical Investigation.

8. Appendix

Image descriptions organized as [Meta Ad Library Id]_[Model] followed by the five stages stages of the broken telephone

908752667667552_Dall-E
1) The image shows three men at what appears to be a street food stall. The man on the left is wearing an orange scarf over a white shirt, gesturing as if he is talking to the man on the right. The man on the right is wearing a green shirt with a blue scarf around his neck, holding a small cup and leaning on the counter, appearing to be engaged in the conversation. Behind the counter, the third man, who is wearing a black shirt and a white head wrap, seems to be busy with something, possibly preparing food. The stall is set up with a variety of jars filled with snacks or sweets, and there are packets of snacks hanging on the left side of the stall. The overall atmosphere suggests a lively street scene with a focus on local food culture.

2) The image depicts a vibrant street scene featuring a group of men interacting at a food stall. Here are the key elements of the scene: Men at the Stall: The man on the left is wearing a white shirt and an orange scarf. He appears to be in conversation, gesturing with his hands. Two men are behind the counter, engaged in the conversation. One has a light beard and is wearing a green tunic with a white turban. The other man, who is clean-shaven, has longer hair and is also wearing a green outfit. Another man, also behind the counter, is listening attentively. He has short black hair and is dressed in a similar style to the other men. Stall Setup: The counter is lined with various jars of spices and grains, each labeled in what appears to be Arabic script. Hanging above the counter are colorful snack packets, adding to the visual appeal of the stall. A green soda bottle is placed on the counter, adding a touch of modernity to the traditional setup. Background: The scene is set in a bustling street market with a vibrant and slightly chaotic atmosphere. A motorcycle is visible on the left side, hinting at the mobility and busy nature of the area. The background shows a continuation of the market, with more stalls and people engaged in their daily activities. The overall mood of the image is lively and communal, capturing a typical day in a busy marketplace where people gather to talk, trade, and enjoy street food.

3) The image depicts a vibrant street market scene where a group of men are interacting at a food stall. The stall displays various colorful spices or grains in open containers. Foreground (left to right): A man with dark hair and a beard, wearing a white shirt and a brown vest, stands with his arms crossed. Another man with grey hair and a beard, wearing a white shirt and an orange scarf, gestures with his hands while talking. A man with a white turban and grey beard, dressed in a traditional white robe with a red sash, also gestures while talking. Another man, dressed in a green robe with a white turban, stands next to a green bottle of soda placed on the counter. Background: The background showcases a busy street with several people walking, some wearing traditional clothing. The walls behind the stall are lined with shelves displaying colorful packaged goods. Decorative flags are strung across the street, adding to the festive and lively atmosphere. The image captures a moment of lively interaction and commerce in a bustling market setting, highlighting the rich colors and textures of the surroundings.

4) The image depicts a vibrant street market scene bustling with activity. In the foreground, a group of men are engaged in conversation at a food stall. The stall showcases an array of colorful spices or grains, neatly displayed in open containers. The spices range in colors from yellow, orange, green, to white, creating a visually appealing display. The men, dressed in traditional attire with some wearing turbans and others in white caps, are animatedly interacting with one another. The background reveals more market stalls, signs with Arabic script, and additional people, adding to the lively and busy atmosphere of the market. The architecture and overall setting suggest a traditional market, possibly in a Middle Eastern or South Asian region.

5) The image depicts a vibrant street market scene bustling with activity. In the foreground, a group of elderly men, dressed in traditional Middle Eastern attire including turbans and robes, are engaged in animated conversation. They appear to be seated in front of a food stall. The food stall prominently displays an array of colorful spices arranged in neat, conical piles. The spices include various shades of yellow, red, orange, green, and brown, showcasing the rich diversity of the market's offerings. The background reveals a busy market street lined with shops, vendors, and more people, all contributing to the lively atmosphere. The architecture is traditional, with buildings featuring stone facades, balconies, and Arabic signage. The crowd is dense, indicating a popular and well-frequented market. The overall scene captures the essence of a traditional Middle Eastern bazaar, full of life, culture, and commerce.

908752667667552_Midjourney

1) The image shows three men at what appears to be a street food stall. The man on the left is wearing an orange scarf over a white shirt, gesturing as if he is talking to the man on the right. The man on the right is wearing a green shirt with a blue scarf around his neck, holding a small cup and leaning on the counter, appearing to be engaged in the conversation. Behind the counter, the third man, who is wearing a black shirt and a white head wrap, seems to be busy with something, possibly preparing food. The stall is set up with a variety of jars filled with snacks or sweets, and there are packets of snacks hanging on the left side of the stall. The overall atmosphere suggests a lively street scene with a focus on local food culture.
2) /imagine an image based on this description: The image depicts a vibrant market scene with three men engaging in a lively conversation. The market stall is adorned with numerous glass jars filled with various spices and herbs, adding to the rich and colorful ambiance. Man on the left: Wearing a white traditional outfit with an orange scarf draped over his shoulder, he appears to be explaining something with expressive hand gestures. Man in the middle: An elderly figure with a white beard and a turban, dressed in a deep blue robe, listens attentively while holding a glass. Man on the right: Dressed in a dark vest over a light green shirt, he also holds a glass and seems engaged in the conversation. The background features additional market stalls and a few more individuals, creating a bustling and lively atmosphere. The warm lighting and detailed textures give the scene a rich, inviting feel, highlighting the cultural and social dynamics of the marketplace.
3) /imagine an image based on this description: The image depicts a lively scene in what appears to be a traditional market or bazaar. Three men, dressed in traditional Middle Eastern attire, are engaged in conversation. They are surrounded by shelves and tables filled with jars containing various spices, herbs, and grains. The men have white beards and are wearing turbans or headscarves. The setting is bustling, with other people visible in the background, suggesting a vibrant marketplace atmosphere. The overall ambiance conveys a sense of community and the rich cultural heritage associated with traditional markets.
4) /imagine an image based on this description: The image depicts a lively market scene, likely in a Middle Eastern or North African setting. The focal point is three elderly men engaged in conversation. They are dressed in traditional clothing, including turbans and long robes. The men have long beards and are standing around large bowls filled with various types of grains and spices. In the background, shelves are filled with jars containing different spices and herbs, indicating that this is a spice market. Other market-goers can be seen in the background, further contributing to the bustling atmosphere. The setting is rich in detail, showcasing the variety of goods available and the interactions between the merchants and customers. The overall ambiance of the image is vibrant and colorful, reflecting the cultural richness of the marketplace.
5) /imagine an image based on this description: The image depicts a scene inside what appears to be a traditional spice shop. Three men, dressed in historical Middle Eastern attire with turbans and robes, are engaged in a conversation. They are surrounded by shelves filled with jars containing various spices and grains. In front of them are large wooden bowls brimming with different kinds of seeds or grains. The lighting in the scene highlights the detailed textures of their clothing, the grains, and the wooden bowls, giving the image a warm and realistic feel. The overall atmosphere suggests a market or trading environment rich with history and cultural significance.

908752667667552_Dream (Stable Diffusion)
1) The image shows three men at what appears to be a street food stall. The man on the left is wearing an orange scarf over a white shirt, gesturing as if he is talking to the man on the right. The man on the right is wearing a green shirt with a blue scarf around his neck, holding a small cup and leaning on the counter, appearing to be engaged in the conversation. Behind the counter, the third man, who is wearing a black shirt and a white head wrap, seems to be busy with something, possibly preparing food. The stall is set up with a variety of jars filled with snacks or sweets, and there are packets of snacks hanging on the left side of the stall. The overall atmosphere suggests a lively street scene with a focus on local food culture.
2) The image depicts three men engaged in a cheerful conversation at an outdoor food market. They are standing around a stall filled with various fried snacks and dishes. The man in the center is wearing an apron and an orange scarf, suggesting he might be the vendor, while the other two appear to be customers. The atmosphere is lively, with an orange tent in the background, indicating a bustling market setting. The men are all smiling and seem to be enjoying the interaction, creating a warm and friendly scene.
3) The image shows three older men having a lively and joyful conversation at an outdoor market stall. They are surrounded by large bowls filled with crispy, fried snacks. Each man is wearing an apron, suggesting they might be the vendors at the stall. The man on the left is in a beige apron, the one in the middle is in a green apron, and the man on the right is in an orange apron. All three are smiling and laughing, creating a warm and friendly atmosphere. The background features an orange canopy and other market stalls, indicating a busy and bustling market scene.
4) The image depicts a lively outdoor market scene. Four elderly men, wearing aprons, are gathered around a wooden table piled high with a variety of baked goods. The men appear to be cheerful and engaged in friendly conversation, laughing and enjoying each other's company. The background features market stalls and other vendors, with a few people walking around, creating a bustling and vibrant atmosphere. The scene is set under a clear sky with trees providing some shade, adding to the warm and inviting ambiance of the market.
5) The image depicts a lively and heartwarming scene set in what appears to be an old-fashioned outdoor market. In the foreground, a group of five elderly men are gathered around a wooden table covered with various types of bread and baked goods. The men are all wearing aprons and have expressions of joy and laughter, suggesting they are sharing a moment of camaraderie and humor. Their interactions appear to be warm and friendly, capturing the essence of community and togetherness. The background features a bustling market with more people engaged in activities, likely shopping or conversing. The market stalls are adorned with green and white striped awnings, and the architecture of the buildings suggests a quaint, historic town setting. The overall atmosphere is vibrant and cheerful, evoking a sense of nostalgia and simplicity.

1097954751485997_Dall-E
1) The image shows two women seated in chairs facing each other, engaged in a serious conversation. The woman on the left has long, dark hair and is wearing a navy blue long-sleeve top and dark pants, with black high heels. She appears to be listening intently with a concerned expression. The woman on the right is seen from the back, with her hair tied in a ponytail, dressed in dark clothing. Both women are in a modern, industrial-looking room with large windows and concrete walls. There is a glass of water on a small table between them. The caption at the bottom of the image reads, "Your body's just open to everyone."
2) The image depicts two women seated in chairs, facing each other, and engaged in a serious conversation. The setting appears to be a spacious, industrial-style room with large windows letting in natural light. Details of the Women: Woman on the Left: She has long, dark hair and is dressed in a blue, form-fitting outfit, including high-heeled shoes. She is sitting with one leg crossed over the other, resting her chin on her hand, appearing thoughtful or contemplative. Woman on the Right: She has her hair tied back in a ponytail and is wearing a black sleeveless top and dark pants. Her footwear appears to be chunky boots. She is sitting forward, with her hands gesturing as if making a point or explaining something. Environment: The room has a minimalist, industrial design with large, grid-patterned windows, exposed radiators, and concrete floors. There is a small round table between them with two glasses of water on it. A potted plant can be seen in the background, adding a touch of greenery to the otherwise stark interior. The text on the wall behind them reads, "YOUR BODY'S JUST THE TIP OF THE ICEBERG" with "EVERYONE" underneath, though some words are partially obscured or faded. The overall atmosphere of the image suggests a deep or intense discussion, possibly a counseling session or a serious conversation between friends or colleagues.
"3) The image depicts two women seated in chairs, facing each other, and engaged in a serious conversation in a spacious, industrial-style room. The room features large windows that allow natural light to flood in, creating a bright and airy atmosphere. Both women are dressed stylishly; the woman on the left is wearing a sleek, form-fitting blue outfit with high heels, while the woman on the right is dressed in a black strappy top and pants, paired with chunky black boots. The setting includes several elements of modern interior design: there are large potted plants adding a touch of greenery, and minimalist furniture consisting of simple chairs and a small round table between the women, with two glasses of water on it. The walls are made of white brick, and a framed abstract art piece hangs on the left side. The phrase ""YOUR IS JUDY IS JUST THE TIP OF OH ICEBERG"" is partially visible on the wall, suggesting a potentially deeper conversation or hidden context between the women. The overall ambiance is calm yet intense, indicating a thoughtful and meaningful exchange."
4) The image depicts two women seated in chairs, facing each other, engaged in a serious conversation in a spacious, industrial-style room. The room features large windows with a grid pattern, allowing natural light to flood the space. The walls are white with exposed brick, and there are several large potted plants around the room, adding a touch of greenery. The woman on the left is dressed in a form-fitting blue outfit and high heels, with short black hair. She is seated with her legs crossed, leaning slightly forward. The woman on the right is wearing a stylish black outfit with strappy high heels and has long hair pulled back. She is also seated with her legs crossed, leaning slightly forward in a similar manner. Between them is a small round table with two glasses of water, emphasizing the seriousness of their conversation. Behind them, a poster on the wall reads "YOUR IS JUDY IS JUS TIPP OF OH ICEBENG OH ICE BERG," which seems to be a playful or artistic take on the phrase "just the tip of the iceberg." The room's high ceiling and minimalistic decor contribute to the modern and airy atmosphere.
5) The image depicts two women seated in chairs, facing each other, and engaged in a serious conversation in a spacious, industrial-style room. The room features large windows that allow ample natural light to flood the space, highlighting the modern and minimalist interior design. There are potted plants placed strategically around the room, adding a touch of greenery. The woman on the left is wearing a light blue, long-sleeved dress with high heels, while the woman on the right is dressed in a black blazer and shorts outfit paired with strappy high-heeled sandals. Both women are seated on modern, minimalist chairs with a small round table between them, holding two glasses of water. The background shows a cityscape through the large windows, providing a sense of urban sophistication. A notable feature in the room is a framed poster on the wall behind them, which has a mix of nonsensical and jumbled text. The overall atmosphere of the scene is professional and contemporary.

1097954751485997_Dream Studio
1) The image shows two women seated in chairs facing each other, engaged in a serious conversation. The woman on the left has long, dark hair and is wearing a navy blue long-sleeve top and dark pants, with black high heels. She appears to be listening intently with a concerned expression. The woman on the right is seen from the back, with her hair tied in a ponytail, dressed in dark clothing. Both women are in a modern, industrial-looking room with large windows and concrete walls. There is a glass of water on a small table between them. The caption at the bottom of the image reads, "Your body's just open to everyone."
2) The image depicts two women sitting on chairs facing each other in a room with a plain background. Both women are dressed in dark blue outfits and black high-heeled shoes. Their body language suggests a serious conversation or interview. The woman on the left has straight black hair, while the woman on the right has her hair tied back in a ponytail. The setting is minimalistic with no visible furniture or decorations other than the chairs they are sitting on. The lighting is soft, creating a focused and intense atmosphere.
3) The image depicts two women seated at a table, facing each other. Both women are dressed in formal attire. One woman is wearing a dark blue dress and high heels, while the other woman is in a black dress and high heels. The background is plain, placing focus on the women and their interaction. They appear to be engaged in a conversation or a meeting. The setting suggests a formal or professional context.
4) The image depicts two women sitting at a table engaged in conversation. Both women have elegant, mid-century hairstyles and are dressed in formal attire, one in a dark blue dress and the other in a light blue dress. They appear to be at a restaurant or café, with each having a drink in front of them. The setting has a minimalist, vintage art style, characterized by clean lines and muted colors. The woman on the left is gesturing with her hand, emphasizing a point, while the woman on the right is listening attentively with her hand near her face.
"5) The image depicts a stylized, vintage illustration of two elegant women sitting at a table, having a drink together. The scene is reminiscent of mid-20th century fashion and social settings. Here are the details:
Women: Both women are dressed in fashionable, retro clothing typical of the 1950s or 1960s. One woman has blonde hair styled in a classic updo and is wearing a dark dress with a pearl necklace and earrings. The other woman has dark hair also styled elegantly and is wearing a light blue dress with dark sleeves, along with similar pearl accessories.
Setting: They are seated at a small, round table in what appears to be a sophisticated bar or cafe. The background features abstract, muted wall patterns, adding to the elegant atmosphere.
Drinks: Each woman is holding a wine glass, and there are bottles and more glasses on the table, indicating they are enjoying a social drink.
Style: The illustration uses a limited color palette with shades of blue, black, and beige, giving it a cohesive and stylish look. The artwork has a clean, flat design with smooth lines, typical of vintage poster art or advertisements from that era.
This image captures a moment of refined social interaction, emphasizing the fashion and elegance of the time period."

1097954751485997_Midjourney
1) The image shows two women seated in chairs facing each other, engaged in a serious conversation. The woman on the left has long, dark hair and is wearing a navy blue long-sleeve top and dark pants, with black high heels. She appears to be listening intently with a concerned expression. The woman on the right is seen from the back, with her hair tied in a ponytail, dressed in dark clothing. Both women are in a modern, industrial-looking room with large windows and concrete walls. There is a glass of water on a small table between them. The caption at the bottom of the image reads, "Your body's just open to everyone."
2) The image depicts two women seated on chairs facing each other in a spacious, industrial-style room with large windows. Both women appear to be engaged in a serious conversation. They are wearing dark-colored outfits and high-heeled shoes. The woman on the left has dark hair and is slightly turned towards the woman on the right, who also has dark hair but is looking more directly at her counterpart. Between them is a small table with a glass of water on it. The caption at the bottom of the image reads, "Your body's just open open open everyone."
"3) The image shows two women sitting opposite each other in a large, industrial-looking space with expansive windows in the background, allowing ample light to flood in. The women are dressed in dark, professional attire and are seated in modern swivel chairs. They appear to be engaged in a conversation or a meeting. The setting is minimalistic, with the focus on the interaction between the two individuals. In the foreground, text is overlaid on the image. It reads: ""Yur body just open open y omme. body's just open open opr open open even everyone."" The text appears to be a mix of misspelled words and repetitive phrases, possibly intended to convey a specific message or theme, but the exact meaning is unclear."
4) The image depicts two women sitting across from each other in a spacious, industrial-style room with large windows. They are seated in modern, black chairs, facing each other, suggesting a conversation or an interview. The background features large windows with some text written on them, although the text is mostly jumbled and not entirely readable. The overall atmosphere of the room is bright with natural light filtering through the windows, creating a serene and open environment. The women are dressed in dark, professional attire, adding to the formal tone of the setting.
5) The image shows two women seated in modern, black swivel chairs facing each other in a large, industrial-style room. The room features a tall wall of multi-pane windows that allow natural light to flood the space. The women appear to be engaged in a conversation. The floor is concrete, and the walls have a distressed, graffiti-like appearance, adding to the industrial atmosphere. The overall lighting is soft and warm, highlighting the contours of the chairs and the silhouettes of the women.

1175294460274614_Dall-E
1) The image depicts a man and a young girl sitting on the ground in front of a small, colorful outdoor library labeled "The Little Banned Book Library." The library has a rainbow arch with clouds and directional signs pointing to different categories such as "Critical Race Theory," "Classics," "Love & Marriage," "Greek Art," and "True History." The man is reading a book aloud while the girl appears to be writing or drawing in a notebook. The setting includes a wooden boardwalk, green plants, and a house in the background. The atmosphere is peaceful and educational.
2) The image depicts a man and a young girl sitting on the ground in front of a small, colorful outdoor library labeled "The Little Banned Book Library." The library has a rainbow arch on top with the text on a white cloud-like background. The library shelves are filled with books, and there are several signs indicating the types of books available. The signs read "CRITICAL RACE THEORY," "LOVE & MARRIAGE," "GREEK & HISTORY," and "TRUE HISTORY." The scene is set in a garden area with green plants and flowers around, and there are houses visible in the background. The man and the girl are both reading books, creating a cozy and educational atmosphere.
3) The image shows a man and a young girl sitting on the ground in front of a small, colorful outdoor library. The library is labeled "The Little Banned Book Library" and features a rainbow design on the top. The library has several shelves filled with books. The bookshelves have labels such as "Critical Race Theory," "Love & Marriage," "Greek & History," and "True History." The man is reading a book to the young girl, who appears to be listening attentively. The background includes a house with a garden, adding to the cozy and welcoming atmosphere of the scene.
4) The image depicts a man and a young girl sitting on the ground in front of a small, colorful outdoor library. The library is labeled "The Little Banned Book Library." The structure of the library is shaped like a small house, with a rainbow painted on the top and vibrant colors throughout. The sign on the library lists various topics such as "Critical Race Theory," "Love & History," "Greek & History," and "True History." The man, who has a beard and is wearing a blue t-shirt, is reading a book to the young girl, who is dressed in a floral outfit. The background shows a residential neighborhood with houses and a picket fence, and the setting has a cheerful and inviting atmosphere.
5) The image depicts a man and a young girl sitting on the ground in front of a small, colorful outdoor library. The library, shaped like a house with a rainbow-colored roof, is labeled "The Little Banned Book Library Critical Race Theory" and features various shelves filled with books. The man, sporting a beard and wearing a blue shirt with a heart symbol, is reading a book to the young girl, who is attentively listening. The surrounding area includes a white picket fence and residential houses, suggesting a suburban neighborhood setting. The library is adorned with vibrant colors and additional phrases like "Critical Race & History" and "Banned Library."

1175294460274614_Dream Studio
1) The image depicts a man and a young girl sitting on the ground in front of a small, colorful outdoor library labeled "The Little Banned Book Library." The library has a rainbow arch with clouds and directional signs pointing to different categories such as "Critical Race Theory," "Classics," "Love & Marriage," "Greek Art," and "True History." The man is reading a book aloud while the girl appears to be writing or drawing in a notebook. The setting includes a wooden boardwalk, green plants, and a house in the background. The atmosphere is peaceful and educational.
2) The image depicts a heartwarming scene of a man and a young girl sitting on a pathway, engrossed in reading a book together. They are seated under a colorful rainbow arch, which symbolizes a welcoming and inclusive environment. Surrounding them are tall bookshelves filled with a variety of books, suggesting a library or educational setting. The background shows a bright blue sky with fluffy white clouds and trees, creating a peaceful and idyllic atmosphere. The overall vibe of the image is warm and nurturing, emphasizing the joy of reading and learning in a supportive environment.
3) The image portrays a heartwarming scene of a father and daughter sitting together in a cozy, vibrant library. The father, wearing a light blue shirt and blue jeans, sits on a small wooden bench, while his daughter, dressed in a white top and pink shoes, sits next to him. They are both engaged in reading a book, sharing a moment of bonding and learning. The library is depicted with tall bookshelves on either side, filled with colorful books. An archway at the center frames the pair, leading to an open, bright outdoor setting with a beautiful sky. Above the archway, a rainbow spans across the top, adding a touch of magic and whimsy to the scene. Confetti-like colorful pieces float in the air, enhancing the joyful and imaginative atmosphere. The overall tone of the image is warm and inviting, emphasizing the joy of reading and the special bond between parent and child.
4) The image depicts a warm and cozy scene of an older man and a young girl sitting together on a pink sofa in a library. The man, with grey hair and glasses, is wearing a light blue shirt and jeans. He is reading a book to the girl, who is dressed in a pink long-sleeve shirt and a light blue skirt, along with pink shoes. The background is filled with shelves of books, creating a rich and inviting atmosphere. Both the man and the girl appear to be enjoying the story, with the girl looking at the book and the man smiling as he reads. The setting is serene, with soft lighting enhancing the peaceful and intimate moment between them.
5) The image depicts an older man and a young girl sitting together on a comfortable blue sofa with pink cushions, reading books. They are both wearing glasses and appear to be enjoying their time reading. The background consists of a wall filled with bookshelves, creating a cozy library or reading room atmosphere. The setting is warm and inviting, emphasizing a shared moment of bonding over books.

1175294460274614_Midjourney
1) The image depicts a man and a young girl sitting on the ground in front of a small, colorful outdoor library labeled "The Little Banned Book Library." The library has a rainbow arch with clouds and directional signs pointing to different categories such as "Critical Race Theory," "Classics," "Love & Marriage," "Greek Art," and "True History." The man is reading a book aloud while the girl appears to be writing or drawing in a notebook. The setting includes a wooden boardwalk, green plants, and a house in the background. The atmosphere is peaceful and educational.
"2) The image depicts a vibrant, whimsical scene centered around a small, colorful library in what appears to be a residential neighborhood. The library has a rainbow arch over the entrance, with various educational and thought-provoking phrases written on it, such as ""Race Theory,"" ""True History,"" ""The Little Banned Book,"" ""Libre,"" ""Critical,"" ""Race Library,"" ""Love & Marriage,"" and ""Great Art.""
In front of the library, a man with a ponytail and a young child are engaged in reading. The man is sitting on a small bench inside the library, while the child is kneeling on the steps leading up to the entrance. Both are absorbed in their books, indicating a shared moment of learning and discovery.
The surrounding environment is lush and inviting, with trees, plants, and a quaint wooden fence framing the scene. The sky above is filled with stars and shooting comets, adding a touch of magic and wonder to the setting. Scattered around the ground are various signs and books, further emphasizing the theme of knowledge and exploration. The overall atmosphere is one of warmth, curiosity, and the joy of reading."
"3) The image depicts a whimsical and colorful scene of a small community library set in a cozy, magical setting. The library is housed in a charming cottage with bookshelves both inside and outside, filled with various books. The exterior of the cottage is adorned with posters, notices, and artwork. A sign above the entrance reads ""Race Thru History, True History, True Hero, The Love & More, Free Library, Great Art.""
In the foreground, a father and child are engaged in reading a book together on the steps of the library. The father is kneeling while the child is standing, both deeply focused on the book. Inside the library, another person can be seen reading.
The setting is vibrant with lush greenery, flowers, and a rainbow arching across the sky. The sky is filled with whimsical elements like a full moon, stars, and planets, adding to the fantastical atmosphere. The scene is framed by neighboring houses, suggesting a close-knit, idyllic community."
"4) The image depicts a whimsical, fantastical scene set in a quaint village at twilight. The focal point is a charming, small bookstore with a sign reading ""Race Thru History, The Love & History,"" and ""Free Lbry. Great Art."" The bookstore is warmly lit from within, and its shelves are filled with books. There are signs around the bookstore promoting reading and art, including phrases like ""Live Here, Fresh Art.""
The scene includes various details, such as:
Setting: The sky is a deep, starry night with a large, bright moon, shooting stars, and a vibrant rainbow arching across. The atmosphere is magical and dreamlike.
Architecture: The bookstore has a clock above the entrance, and it's surrounded by other quaint, similarly styled buildings, giving a cozy village feel.
People: There are children reading books outside the store, one sitting on the steps, and another standing on the path.
Nature: The path leading to the bookstore is lined with colorful flowers and lush greenery, adding to the enchanting ambiance of the scene.
Details: There are small, intricate elements like the signs on the windows, a log bench, and a path made of stone leading up to the entrance, all contributing to the detailed and inviting environment.
The overall feel of the image is one of nostalgia, wonder, and a love for books and history, evoking a sense of peacefulness and imagination."
"5) The image depicts a whimsical, fairy-tale-like village scene under a twilight sky. A prominent feature is a charming, old-fashioned bookstore with the sign ""Race Thru History"" on its facade. The bookstore has warm, inviting lights and books visible through the windows. There are various other signs, including one that reads ""Great. The love & Lbry, Live & Here, Fresh Art."" Another smaller sign says ""The History.""
The street is cobblestone, and there are other quaint, similarly styled buildings lining the street, adorned with flowers and plants. Children are sitting on benches or walking around, contributing to the peaceful and idyllic atmosphere. Above the scene, the sky is decorated with a large, colorful, crescent-shaped rainbow and shooting stars, enhancing the magical feel of the setting."

1414979136072795_Dall-E
1) The image depicts a man standing in front of what appears to be a government building, possibly the Supreme Court of the United States. He is dressed in a suit and tie, holding a white sign with the handwritten message "I Stand For LIFE." The man has a serious expression, and the setting is outdoors with the building's grand columns visible in the background.
2) The image depicts a man standing in front of the Supreme Court of the United States. He is dressed in a formal suit and tie, holding a white sign with the handwritten message "I STAND FOR LIFE." The Supreme Court building is prominently featured in the background, with its classical architecture and iconic columns. The American flag is visible to the left of the building. The man appears serious and determined, emphasizing his stance on a significant issue.
3) The image depicts a man standing in front of the Supreme Court of the United States. He is dressed in a formal suit and tie. The man is holding a white sign with a handwritten message that reads "I STAND FOR LIFE". The background includes the classical architecture of the Supreme Court building with its grand columns and statues. The American flags on flagpoles are visible on both sides of the building. The overall setting suggests a protest or demonstration related to pro-life advocacy.
4) The image depicts a man standing in front of the Supreme Court of the United States. He is dressed in a formal suit and tie, wearing dark sunglasses, and holding a white sign with a handwritten message that reads, "I STAND FOR LIFE." The backdrop includes the iconic facade of the Supreme Court building, characterized by its grand columns and statues, with American and other flags visible in the background. The setting suggests a protest or demonstration advocating for a pro-life stance.
5) The image depicts two young men standing in front of the Supreme Court of the United States. Both are dressed in formal suits and ties, wearing dark sunglasses, and have white boutonnieres pinned to their lapels. The man in the foreground is holding a white sign with bold black letters that reads, "I STAND FOR LIFE." In the background, there is a crowd of people, some holding similar signs and American flags, suggesting a protest or rally. The architecture of the Supreme Court building is prominently visible, with its iconic columns and detailed façade. The atmosphere appears serious and the event seems to be related to a political or social cause, likely related to pro-life advocacy.

1414979136072795_Dream Studio
1) The image depicts a man standing in front of what appears to be a government building, possibly the Supreme Court of the United States. He is dressed in a suit and tie, holding a white sign with the handwritten message "I Stand For LIFE." The man has a serious expression, and the setting is outdoors with the building's grand columns visible in the background.
2) The image shows a man dressed in a suit standing in front of a large neoclassical building with columns, which resembles the United States Supreme Court building. The man is holding a white sign with handwritten text that reads, "I [illegible] stand for ha. mor men we life." The background includes a well-manicured lawn, trees, and a cloudy sky. The architecture and surroundings give a formal and official impression.
3) The image depicts a man in a black suit standing in front of a large classical building with columns, which resembles a courthouse or a government building. The man is holding a folder or a book in one hand and is standing next to a large framed sign on the ground. The sign has text on it that appears to be jumbled or incorrectly formatted, making it difficult to read clearly. The text reads, "I Is llse Ha?" and "Couts for a heillligo." The setting and the formal attire suggest a professional or legal context.
4) The image depicts a man dressed in a black suit, standing in front of a grand neoclassical building. The building features a series of tall, white columns supporting a pediment. Above the columns, there is an inscription in an unusual or scrambled text. The man appears to be serious and is looking slightly to his right. The setting suggests a formal or official context, possibly a government or judicial building. The architectural style and the attire of the man convey a sense of authority and importance.
5) The image appears to be a black-and-white illustration or engraving of a historical figure standing in front of a classical building with large columns. The building features a portico with a pediment supported by Corinthian or Ionic columns, giving it a grand and formal appearance. The man, dressed in 19th-century formal attire, likely a suit with a bow tie, stands prominently in the foreground, looking dignified and authoritative. The setting and the style suggest a depiction of an important historical or political figure in front of a significant architectural landmark, possibly a government building or a courthouse.

1414979136072795_Midjourney
1) The image depicts a man standing in front of what appears to be a government building, possibly the Supreme Court of the United States. He is dressed in a suit and tie, holding a white sign with the handwritten message "I Stand For LIFE." The man has a serious expression, and the setting is outdoors with the building's grand columns visible in the background.
2) The image depicts a man in a suit standing on the steps of a large, classical-style building with tall columns, resembling a courthouse or government building. He holds a sign with the handwritten text "I Stand For For For LIFE." The man appears to be in a serious or contemplative pose, and the lighting suggests it is a sunny day. The background shows the detailed architectural elements of the building, including the columns and steps, giving a sense of grandeur and formality to the scene.
3) The image depicts a man in a suit standing on the steps of a grand building with large columns. He is holding a sign that reads "I Stand For For LIFE." The building's architecture suggests it might be a governmental or institutional structure, characterized by its classical style with tall pillars and stone steps. The man appears to be making a statement or protesting, indicated by the sign he is holding. The overall setting conveys a formal and significant atmosphere, likely related to a serious cause or movement.
4) The image shows a black-and-white photograph of a man standing on the steps of a grand building with large columns. The man is holding a sign that reads, "I Stand For For LIFFE." The architectural style of the building and the clothing of the man suggest that the photo may be historical. The steps are wide and expansive, with the man positioned towards the center of the image, emphasizing his solitary presence against the imposing backdrop of the columns. The photograph has an aged, vintage quality.
5) The image appears to be a vintage black-and-white photograph depicting a grand, neoclassical building with large, fluted columns and wide stone steps leading up to the entrance. Standing on the steps, to the right, is a person holding a sign that reads, "I Stand LIFFE..". The building's architectural style suggests it might be an important public or governmental structure. The overall composition and tone of the photograph evoke a sense of solemnity and historical significance.

327977776661801_Dall-E
1) This image is a political cartoon that critiques the reservation system for SC/ST/OBC quotas in India. Here's a detailed description: First Panel: The setting is a boat labeled "SC/ST/OBC QUOTA." People on the shore are asking for a place on the boat. A person on the boat says, "अरे भइया इनको भी थोड़ी जगह दे दो..." which translates to "Hey brother, give them some space too..." Second Panel: The boat is now fuller with more people trying to get on. One person says, "थोड़ी और है, उनको भी दे दो..." meaning "There's a little more space, give them too..." Political leaders appear to be helping more people get on the boat. Third Panel: The boat is now overloaded, and people are being pushed off the boat. One person says, "दफा हो जाओ, अब ये वोट हमारी है..." translating to "Get lost, now these votes are ours..." The people who were initially allowed on the boat are now being thrown off into the water. Overall Message: The cartoon depicts how political leaders use the reservation system to gain votes and support initially but disregard those same people once they have achieved their political goals. The leaders are shown laughing in the last panel, indicating betrayal or deception. This cartoon uses humor and exaggeration to make a point about the exploitation of reserved quotas by politicians for their own benefit.
2) This is a political cartoon that critiques the reservation system for SC (Scheduled Castes), ST (Scheduled Tribes), and OBC (Other Backward Classes) quotas in India. The cartoon depicts a series of boats labeled with these quotas, illustrating the distribution and demands for space within these systems. Key elements in the image: Boats and Labels: There are several boats labeled "SC/ST," "SC/ST/OBC," and "QUOTA." The boats are crowded with people, symbolizing the allocation of quotas to different groups. Characters and Dialogue: Various individuals on the boats and on the shore are engaging in dialogue about making more space within the quota systems. People are seen pleading and pointing, requesting more space for their respective groups. Flags and Background: Indian flags are prominently displayed on the boats, indicating the national context of the reservation system. The background shows a somewhat turbulent scene, suggesting tension and conflict around the issue. Text and Speech Bubbles: Several speech bubbles are present, with phrases like "Hey brother, there's a little more space, give them more space too," emphasizing the ongoing demands for increased reservation space. The repetition of requests for more space highlights the contention surrounding the reservation policies. Overall, the cartoon uses the metaphor of overcrowded boats to comment on the complexities and disputes inherent in India's reservation system, highlighting the challenges and ongoing demands for more inclusive quotas.
3) The image is a political cartoon critiquing the reservation system in India for SC (Scheduled Castes), ST (Scheduled Tribes), and OBC (Other Backward Classes) quotas. It depicts several boats and platforms labeled "SC/ST", "OBC", and "Quota" overloaded with people, symbolizing these groups. The boats are on a river, and some people are shown struggling to stay afloat or to get on board. There is an Indian flag in the background, signifying that this issue pertains to India. A man in a boat is seen saying, "Hey brother, there's a little space, give a little them more space too," indicating the pressure to accommodate more people within these quotas. The sky is overcast and smoky, suggesting a somber or critical atmosphere. The overall scene illustrates the challenges and criticisms associated with the reservation system, possibly highlighting issues of overcrowding, fairness, and the strain on the system.
4) The image is a political cartoon that critiques the reservation system in India, focusing on the quotas for SC (Scheduled Castes), ST (Scheduled Tribes), and OBC (Other Backward Classes). Here are the key elements and details depicted in the cartoon: Setting: The scene is set in a river with the iconic Taj Mahal in the background, symbolizing India. Boats and Platforms: Boats and platforms are overcrowded with people labeled as SC/ST and OBC. The overcrowded boats and platforms signify the pressure and competition within the reserved categories. The boats have labels like "SC/ST" and "OBC," indicating that these groups are all trying to find space within the reservation system. Signboards: There are signboards with incorrect spellings, such as "SCHEEULED TRASES QUATA" (Scheduled Castes Quota) and "QBC" (intended to be OBC), indicating a satirical take on the complexity and potential mismanagement of the reservation system. Indian Flags: Two Indian flags are visible in the image, reinforcing the national context of the issue. Dialogue and Expressions: A person on the shore is shown gesturing and speaking to someone on the boat, with the text "HEY BROTHER, GIVE A LITTLE SPACE, GIVE A LITTLE THEM MORE SPACE TOO TOO," humorously highlighting the overcrowding and the need for more room within the system. Crowds and Activity: A large crowd is seen along the riverbanks and in the boats, representing the numerous individuals affected by the reservation system. Various people are shown either trying to board the boats or struggling to stay on them, symbolizing the fierce competition for reserved positions. The overall tone of the cartoon is critical and satirical, pointing out the challenges and perceived inefficiencies of the reservation system in India.
5) The image is a political cartoon critiquing the reservation system in India. It features a river scene with numerous boats overcrowded with people, symbolizing the congested and competitive nature of reservations. The Taj Mahal is prominently displayed in the background, representing India. In the image: There are multiple signs held by people in boats and on the banks of the river. The signs read: "SCEELED TARCLE SPACE" "SC/ST GIVE A LITTLE MORE STOO" "SCHEEULED TRASES SPACE" "OBC SPACE THEM TOO" There are large crowds of people on both sides of the river, highlighting the overcrowded situation. The Indian flag is visible, reinforcing the national context. The cartoon depicts a chaotic and crowded scene, suggesting the challenges and debates surrounding the reservation system for different social groups in India.

327977776661801_Dream Studio
"1) The image is a political cartoon that critiques the perceived dynamics and consequences of the SC/ST/OBC quota system in a satirical manner. It is divided into three panels: First Panel: A boat labeled ""SC/ST/OBC QUOTA"" has several people on board. A group of people outside the boat is asking for a little space to be allowed on the boat. Second Panel: More people are being welcomed onto the boat, making it more crowded. The people initially on the boat are shown making space for the newcomers. Third Panel: The newcomers are now pushing the initial occupants of the boat into the water. The people who have fallen into the water are struggling and asking for help. The newcomers on the boat are laughing and claiming the boat as their own, showing no intention of helping those in the water. The cartoon uses exaggerated expressions and scenes to highlight the perceived betrayal and power struggle associated with the quota system. The overall tone suggests a criticism of how political alliances and reservations might lead to exclusion and conflict."
"2) The comic strip is divided into four panels, each depicting groups of people in boats on the water. Here is a detailed description of each panel:
Panel 1: A small boat is overcrowded with people, including men of varying ages, some appearing elderly with gray hair. Some individuals are standing while others are sitting. One of the men is speaking, with a speech bubble that reads: ""Investigate all the time people once profited in the old days as SC.""
Panel 2: Another slightly larger boat is also filled with people, with similar demographics to the first boat. A man is standing and speaking, with a speech bubble that reads: ""SC/ST Quota."" Panel 3: This panel shows a close-up of a boat with a diverse group of people, some appearing to be from different social backgrounds. The boat is labeled ""OBC."" The background is the sea, with a focus on the people in the boat.
Panel 4: This panel shows a larger boat packed with people, including men, women, and children, with a few standing and some sitting. One man is standing and speaking to another man who is standing on the shore, with a speech bubble that reads: ""SC/ST Quota is secured in the Constitution to safeguard the rights of people who were earlier considered untouchables.""
Overall, the comic seems to be addressing the topic of social quotas, reservations, and the historical context of social categories such as SC (Scheduled Castes) and ST (Scheduled Tribes) in India. The boats symbolize the different groups of people affected by these policies"
"3) The image is a comic strip depicting a group of elderly people on a boat in the ocean. Here's a detailed description of each panel:
First Panel: The boat is full of elderly people, and two of them, one standing and the other sitting, are engaged in a conversation. One of them appears to be pointing or gesturing towards something or someone.
Second Panel: The scene shows a different group of elderly people in a similar boat. One man, who seems to be talking, has a thoughtful or serious expression. Others are listening to him. Some are in animated conversation, while a couple of people in the background seem to be looking overboard.
Third Panel: The scene shifts to a different angle showing the elderly group from a distance, with the ocean as a backdrop. Two people can be seen swimming near the boats, indicating a possible connection to the conversations or events happening on the boats.
Fourth Panel: A closer view of one of the boats, where more elderly people are seated. They appear to be engaged in different conversations. Some are talking, while others are listening attentively.
Fifth Panel: A man is addressing the group, and they seem to be paying close attention to him. The expressions range from interest to contemplation.
Sixth Panel: Two elderly women are having a more intimate conversation. They are facing each other, with expressions that suggest they are discussing something personal or serious.
Seventh Panel: The focus shifts back to a wider view of the boats on the ocean, showing multiple boats with elderly people. This panel gives a sense of the larger group and the environment they are in.
Eighth Panel: The dialogue continues among the elderly people on the boats. The conversations seem to be varied, indicating a mix of topics being discussed.
Ninth Panel: This panel provides a concluding view of the scene, showing the boats moving away. The mood seems reflective, with the elderly people deep in conversation or thought.
The comic strip overall captures a moment of interaction among a group of elderly people in boats on the ocean, highlighting their conversations and the setting."
"4) This image is a comic strip that appears to depict a group of elderly people on boats. Here's a breakdown of the different panels and scenes:
Top Row, First Panel:
An elderly man and woman are on a boat, with the woman pointing something out to the man. They are having a conversation. The setting appears to be a calm sea.
Top Row, Second Panel:
The elderly woman from the first panel has moved to another boat where she is talking to another elderly man.
Top Row, Third Panel:
Multiple elderly individuals are seen on two separate boats. They seem to be preparing for or engaging in some activity, possibly getting ready to row or set sail.
Middle Row, First Panel:
A closer view of the first boat with two elderly men talking. One of them looks surprised or excited.
Middle Row, Second Panel:
Several elderly people are transferring from one boat to another, indicating some coordination or teamwork.
Middle Row, Third Panel:
Two elderly men on a boat are having a discussion. One seems to be explaining something to the other.
Bottom Row, First Panel:
A close-up of an elderly woman and man sitting in a boat, having an intense or focused conversation.
Bottom Row, Second Panel:
The elderly man from the previous panel now looks thoughtful or contemplative.
Bottom Row, Third Panel:
Several elderly people are seen together on a boat, possibly waiting or resting.
The comic strip seems to focus on the interactions and conversations among these elderly individuals while they are out on the water. The tone appears to be light-hearted and engaging, with the elderly characters actively participating in the boating activity and enjoying each other's company."
"5) The image is a comic strip featuring several elderly characters interacting in a coastal setting. Here's a detailed description of the panels:
Top Left Panel: An elderly man and woman are sitting in a small wooden boat on the water. The man is rowing, and the woman is holding an umbrella.
Top Right Panel: A close-up view of three elderly characters on a dock or pier. The woman in the center, wearing a purple outfit and glasses, is speaking animatedly to an elderly man with a mustache. Another man is sitting on the edge of the dock, holding a fishing rod.
Middle Left Panel: The elderly man in the boat from the first panel is rowing the boat towards the dock where the two women are standing. One of the women, in a yellow dress, gestures towards the boat.
Middle Right Panel: The woman in the purple outfit and the woman in the yellow dress are standing on the dock, continuing their conversation.
Bottom Left Panel: A close-up of the elderly woman in the yellow dress from behind, focusing on her conversation partner.
Bottom Middle Panel: The elderly man and woman in the boat from the first panel are now holding hands, sharing an intimate moment.
Bottom Right Panel: The elderly man sits alone in the boat, appearing contemplative.
The comic's dialogue is in an unfamiliar script, adding an element of mystery to the interactions. The scenes depict a tranquil, picturesque coastal environment with an emphasis on the characters' relationships and emotions."

327977776661801_Midjourney
1) This image is a political cartoon that critiques the reservation system for SC/ST/OBC quotas in India. Here's a detailed description: First Panel: The setting is a boat labeled "SC/ST/OBC QUOTA." People on the shore are asking for a place on the boat. A person on the boat says, "अरे भइया इनको भी थोड़ी जगह दे दो..." which translates to "Hey brother, give them some space too..." Second Panel: The boat is now fuller with more people trying to get on. One person says, "थोड़ी और है, उनको भी दे दो..." meaning "There's a little more space, give them too..." Political leaders appear to be helping more people get on the boat. Third Panel: The boat is now overloaded, and people are being pushed off the boat. One person says, "दफा हो जाओ, अब ये वोट हमारी है..." translating to "Get lost, now these votes are ours..." The people who were initially allowed on the boat are now being thrown off into the water. Overall Message: The cartoon depicts how political leaders use the reservation system to gain votes and support initially but disregard those same people once they have achieved their political goals. The leaders are shown laughing in the last panel, indicating betrayal or deception. This cartoon uses humor and exaggeration to make a point about the exploitation of reserved quotas by politicians for their own benefit.
2) /imagine an image based on this description: This image is a comic strip illustrating a scenario where people are on a boat labeled "SCT/OUBC QUOTA." The boat appears to be quite crowded. Below the boat, the scene shifts to a shoreline where groups of people, dressed in traditional South Asian attire, are interacting. Here's a panel-by-panel description: Top panel: Shows a boat with a crowd of people. The boat is labeled "SCT/OUBC QUOTA." One person on the boat is speaking, saying, "Arrey hiey hiabania ... giobabn ghetham sonb, give them space too..."
Second row, left panel: A person in a red sari is addressing a group sitting on the ground, saying, "Hey brothe space, thota corda roo, may say saak..." Second row, middle panel: People are standing and sitting in groups, and someone is saying, "give them tore. brrethem too..." Second row, right panel: A man is speaking to a group on the shore, saying, "Antvaber,... aaly asoy ady sash..."
Third row, left panel: A person in orange attire is speaking, "Gat ademable spr ten ... give mor space too......" Third row, middle-left panel: Another scene of people interacting, with the text, "There's a little more say too..." Third row, middle-right panel: A group is standing and talking, with the text, "Tollged are space’s dam spem'..." Third row, right panel: A person is speaking to another group, saying, "Heyy brothem more, a live pace, give give space, too...."
Bottom row, left panel: Shows a mix of standing and sitting people, with text saying, "Qaed brote men ... SI, Zhas oile b’ space deye ma raeye is hased more too..." Bottom row, right panel: A person is speaking, saying, "'Hey thes space,... Gl get st araye too..."
The overall theme appears to be a discussion about space and allocation, possibly metaphorically addressing issues of quota or reservations, common in South Asian contexts. The language in the text bubbles is a mix of English and transliterated vernacular, adding a layer of cultural specificity to the dialogue.
3) /imagine an image based on this description: The image is a comic strip with a depiction of people on a boat labeled "SCT/OBC QUBC QUOTA" on the side. The people on the boat are wearing traditional Indian attire and appear to be discussing something among themselves. The dialogue in the speech bubbles is mostly in broken English, making it somewhat challenging to understand. Here is a description of each part:
The top panel shows a group of people on a boat labeled "SCT/OBC QUBC QUOTA." The dialogue bubbles contain fragmented and phonetically spelled English: "SCT/OUBC... Arey hey hey hey hai bana give them too..." "SCT/QOUTA... ghetham..."
The bottom panels show people in conversation near the boat:
The first panel shows one person speaking to another group: "Hey brothe space roo... ...aadly aaly aaly sash... ten gat ademable tore, space,"
The second panel shows the same speaker: "Hey brothe space,... give them sash... ten...aaly them" Another person responds: "Hii Antaber,... of aaly sace,... soh, ghar s..." Another person adds: "A rrey tham se sbay space st may sash."
The final panel shows a person speaking to another group: "giothe too... may sak... may tore, space., aaly aay give mor tem te., give mor t ademble sprr ten mor gat ash.."
The comic strip appears to address themes of social quotas and space allocation, possibly related to caste-based reservations in India. The broken and phonetic English suggests a satire or commentary on the language used in these discussions.
4) /imagine an image based on this description: The image is a comic strip with four panels featuring conversations among people. Here is a description of each panel:
Top Panel: Scene: A boat on the water with several people seated. Dialogue: Two speech bubbles with fragmented, somewhat garbled text: "SCT/OBC QUBC... Arey hey hey hai give too... ghethaly sash tem too... aaendemble space, sash..." "SCT/QOUTA... Hey hey bana... ... aady aasly sash... give them..."
Middle Left Panel: Scene: A close-up of three women sitting, one of whom is speaking. Dialogue: "Hey brothe space, then. ham sash., tem ceen... & baly sahl olon o phe pertection, holly h ren moo..." "Hey brothe ghe thien"
Middle Right Panel: Scene: A woman in a red sari is speaking to others near a structure. Dialogue: "in they gat & space, adethy gatabale dao?"
Bottom Panels: Left: A man is speaking to another man. Dialogue: "... Hey brothe space tored... aaly them..." Right: Two women are talking. Dialogue: "them lay give them gat, aadly aaly give hey them fon give baly bat olom them? them..." The art style is detailed, depicting traditional clothing and an outdoor setting.
The dialogue appears intentionally scrambled, possibly to emphasize confusion or miscommunication.
5) /imagine an image based on this description: This image is a comic strip depicting a conversation between several people, presumably in a historical or rural setting, given their attire and the background. Here is a detailed description of each panel:
First Panel: Setting: A boat with three people sitting on it, with one person standing nearby. The background shows a river or lake with trees on the other side. Text: One of the characters says, ""Aare give too..."".
Second Panel: Close-up of a man talking, wearing traditional clothing. Text: The man says, ""Arey hey hai give too... arey hey sash, sash... tem too... sash...""
Third Panel: The same setting as the first panel with the three people on the boat. Text: The speech bubble is jumbled and difficult to read but appears to convey a complex thought or request about space, perfection, and possibly time.
Fourth Panel: Close-up of two women talking. One woman is speaking while the other listens. Text: The woman says, ""... Hen, Hen"".
Fifth Panel: The same man from the second panel continues speaking. Text: The man's speech is again jumbled but mentions ""brothe sash"", ""space"", and something about giving. Sixth Panel: Two women are talking again. The speech bubble contains mostly jumbled text but seems to convey a complex and somewhat disorganized thought process.
Seventh Panel: The man from the second and fifth panels is talking. Text: His speech bubble, like the previous ones, is jumbled but includes the words ""hey hey h, ally"", ""holly sash"", and ""perterfection, men..."" The dialogue throughout the comic strip is heavily stylized and appears to mix or distort words, making it challenging to interpret the exact meaning. The visual context suggests a traditional or historical setting with an important conversation taking place, likely involving complex or philosophical themes. "

345472831844966_Dall-E
1) The image is a political cartoon. It depicts a woman in a white sari with a blue border, who is likely Mamata Banerjee, a prominent Indian politician and the Chief Minister of West Bengal. She is shown addressing a crowd with the speech bubble "বাংলা নিরাপদ..." which translates to "Bengal is safe...". However, behind her, there are two armed men labeled "ISIS" and "IM" (Indian Mujahideen), both terrorist organizations. One of them is holding a gun, and the other is holding a rocket-propelled grenade launcher. They have sinister expressions and are surrounded by weapons and explosives, including a box labeled "RDX" (a type of explosive). They have a speech bubble that says "...শুধু আমাদের জন্য," translating to "...only for us." The cartoon suggests a critique or irony regarding the politician's statement about safety in Bengal, implying that despite claims of safety, there are underlying threats from terrorist groups.
2) NA
3) NA
4) NA
5) NA

345472831844966_Dream Studio
"1) The image is a political cartoon with text in Bengali. Here's a detailed description:
Central Figure: A woman with her back to the viewer, wearing a white saree with a blue border, is standing on a platform and addressing a crowd. She is raising one hand in a gesture of assurance.
Text Bubble from the Woman: The text in the bubble above her reads ""বাংলা নিরাপদ..."" which translates to ""Bengal is safe...""
Characters Below the Woman: Below the platform, there are two men depicted in a cartoonish and sinister manner. They are labeled ""ISIS"" and ""IM"" (likely referring to Islamic State of Iraq and Syria and Indian Mujahideen). These men are holding weapons and have an assortment of explosives, including grenades and a box labeled ""RDX"".
Text Bubble from the Men: The text bubble from the men reads ""...শুধু আমাদের জন্য"" which translates to ""...only for us"".
Background: There is a crowd of people in the background, seemingly listening to the woman on the platform.
The cartoon appears to be a satirical commentary on the political situation in Bengal, suggesting that while the leader proclaims safety, the presence of militant groups undermines this assurance."
"2) The image is an illustration depicting a large public gathering with a central female figure addressing the crowd. Here's a detailed description:
Central Figure: A woman stands in the foreground, wearing a white saree with a blue border and a yellow blouse. She has her right hand raised, gesturing upwards, indicating that she is likely addressing the crowd. Her expression is serious and focused.
Background Crowd: The background is filled with a dense crowd of people, mostly dressed in white clothing. The crowd appears attentive and engaged, watching the central figure.
People in the Foreground:
To the left of the central woman, another woman in a blue saree is clapping, showing support or approval.
To the right, a man dressed in white is raising his hand, possibly asking a question or making a gesture in response. He is holding a notebook and pen, suggesting he might be a reporter or an official taking notes.
Setting: The setting appears to be outdoors, given the vastness of the crowd and the absence of any visible indoor structures. The background fades into a blue horizon, indicating the gathering is in a large open space.
The illustration captures a moment of political or social significance, with the central female figure likely playing the role of a leader or speaker addressing a supportive audience. The overall mood is one of engagement and attentiveness."
3) The image is an illustration showing a large public gathering. The central figure is a woman dressed in traditional Indian attire, specifically a white sari with blue and yellow borders. She is adorned with jewelry, including earrings, necklaces, and bangles. She appears to be addressing the crowd, making a gesture with her right hand while her left hand rests on her hip. The crowd behind her consists predominantly of women, many of whom are raising their hands and appear to be engaged and supportive. The setting seems to be an outdoor event, possibly under a large tent or canopy. The mood of the illustration suggests a rally or a public speech, indicating the central woman's role as a leader or speaker.
"4) The image is an illustration depicting a large public gathering. The central figure is a woman in traditional Indian attire, wearing a yellow sari with blue borders and a matching blouse. She is adorned with heavy jewelry, including large earrings, multiple necklaces, and numerous bangles. Her hair is styled in a traditional manner, and she appears to be in a contemplative or thoughtful pose, with her right hand touching her chin.
The crowd behind her consists of both men and women, all appearing engaged and focused on her. The background suggests a festive or rally-like atmosphere, with decorations and large numbers of people. The setting is likely an outdoor event, indicated by the open sky and visible utility poles in the distance. The illustration captures a moment of public significance, with the woman potentially being a key speaker or leader at the event"
"5) The image is an illustration of a large public gathering, with a focus on a central female figure. She is dressed in a yellow sari adorned with intricate details and complemented by heavy jewelry, including earrings, necklaces, and bangles. Her hair is styled in loose waves, and she has a confident, determined expression as she walks forward.
Behind her is a crowd of women, most of whom are also dressed in yellow saris, with some in blue saris, indicating a possible cultural or ceremonial context. The background features ornate architectural elements, suggesting the setting might be near a temple or a historical site. The women in the crowd appear engaged and supportive, looking towards the central figure with admiration and respect. The illustration captures a sense of unity, strength, and leadership."

345472831844966_Midjourney
"1) ""The image is a political cartoon with text in Bengali. Here's a detailed description:
Central Figure: A woman with her back to the viewer, wearing a white saree with a blue border, is standing on a platform and addressing a crowd. She is raising one hand in a gesture of assurance.
Text Bubble from the Woman: The text in the bubble above her reads """"বাংলা নিরাপদ..."""" which translates to """"Bengal is safe...""""
Characters Below the Woman: Below the platform, there are two men depicted in a cartoonish and sinister manner. They are labeled """"ISIS"""" and """"IM"""" (likely referring to Islamic State of Iraq and Syria and Indian Mujahideen). These men are holding weapons and have an assortment of explosives, including grenades and a box labeled """"RDX"""".
Text Bubble from the Men: The text bubble from the men reads """"...শুধু আমাদের জন্য"""" which translates to """"...only for us"""".
Background: There is a crowd of people in the background, seemingly listening to the woman on the platform.
The cartoon appears to be a satirical commentary on the political situation in Bengal, suggesting that while the leader proclaims safety, the presence of militant groups undermines this assurance."""
"2) The image is a political cartoon. It depicts a woman in traditional attire speaking to a large crowd from a podium. The scene appears to be set in an urban area with buildings in the background.
The woman has speech bubbles with text that appears distorted and nonsensical. One bubble says ""ISIS safe."" while the other bubble contains a jumbled mix of letters. The podium she stands on has a sign with similarly distorted text: ""...Bengal i safe. Im ... ...ammadag, juandel ... onl for us.""
The crowd includes people with various expressions and actions, such as cheering, holding signs, and showing mixed emotions. Some people appear to be holding tools or weapons.
Overall, the cartoon seems to be a commentary on a political speech or situation, possibly criticizing the clarity or content of the speaker's message."
3) The image depicts a scene of a protest or rally. A woman in a headscarf stands at a makeshift podium, speaking to a crowd of other women, many of whom are also wearing headscarves. The background shows a densely packed urban area with buildings. The signs and speech bubbles contain a mix of languages and appear to be somewhat fragmented or nonsensical, indicating a possible focus on themes of communication, safety, and community. The sign on the podium reads "sa.fel... only for us," while the speech bubbles say "...I safe I I safe..." and "...Bengal j jm... ammadel j'm jul for us...". There are various placards and signs held by the crowd, some with text in Arabic, adding to the overall sense of a political or social demonstration.
"4) The image appears to be an illustration, possibly from a graphic novel or a comic, depicting a large group of women in a protest or rally. The setting seems to be in a Middle Eastern or South Asian country, as suggested by the architecture and the language used in the speech bubbles.
In the foreground, a woman wearing a red hijab is speaking into a microphone from a podium. She appears to be addressing the crowd. The women in the crowd are also wearing hijabs, with a variety of expressions on their faces, ranging from attentiveness to determination. Many are holding signs, some of which are written in Arabic.
The speech bubbles contain a mixture of Arabic and English text. Phrases like ""safe for us,"" ""only for us,"" ""Il safe,"" and other similar variations are repeatedly mentioned. This suggests that the central theme of the rally is about safety for the women.
The setting includes tall buildings with multiple stories in the background, indicating an urban environment. The detailed illustration style and the use of speech bubbles point to this being an excerpt from a larger narrative."
5) The image depicts a powerful scene of a protest or rally featuring a large group of women wearing red hijabs. The central figure, a woman also in a red hijab, is speaking passionately into a microphone, suggesting she is the leader or a significant speaker at the event. The background shows an urban environment with buildings and numerous placards held by the crowd. The placards have various messages, some in English and others in different scripts, all seemingly related to safety and empowerment for women. The expressions of the women in the crowd appear determined and resolute, emphasizing the seriousness and unity of their cause.

3673711239611791_Dall-E
1) The image depicts a large group of women posing for a photo, with many holding up the victory sign. In the center, a man who appears to be a notable figure is also present, showing the victory sign and wearing a colorful scarf. The group is standing on steps, suggesting it may be at a significant building or location. Text is overlaid on the image in Hindi, which translates to: On the left side (in orange): "33% reservation and equal rights through the establishment of a commission" On the right side (in green): "Women are becoming participants in policy making" A logo in the center bottom of the image features an illustration of the man in the scarf, with additional text and a decorative border. The overall mood of the image suggests celebration and unity, likely in the context of a significant announcement or achievement related to women's rights and participation in governance or policy making.
2) The image depicts a large group of women posing for a photo in front of a significant architectural building, likely a government or historical structure in India. Many of the women are holding up the victory sign with their fingers. In the center of the group, a notable figure, a man wearing a bright pink turban and traditional Indian attire, is also present and showing the victory sign. The women are dressed in various traditional Indian outfits, including saris and salwar kameez, in vibrant colors. The banner in the image contains Hindi text, which translates to "33% reservation" and "for women in the legislature," indicating that the gathering is in support of a legislative reservation or quota for women. At the bottom of the image, there is a logo with the face of a prominent historical figure and the words "Ab Samme Chanbe," which might be the name of an organization or a campaign slogan. An Indian flag is also visible, reinforcing the theme of national and legislative context. The overall atmosphere is celebratory and empowering, emphasizing a movement or campaign for women's representation in politics.
3) The image depicts a large group of women gathered in front of a significant architectural building in India, likely a government or historical structure. The women are dressed in colorful traditional Indian attire, predominantly sarees and salwar kameez. They are posing with raised hands, making victory signs, and appear to be celebrating or participating in a significant event. Several women in the front row are holding Indian flags, emphasizing a patriotic theme. A prominent man in the center, wearing bright pink traditional attire and a turban, stands out among the crowd, suggesting he might be a leader or a notable figure in this event. In the foreground, there is a large banner with the Indian tricolor and an illustration of a man with a turban, likely the same man who is present in the group. The banner reads "33% Reservation For Women Me Chaoture," indicating a campaign or celebration related to women's reservation or empowerment. The overall atmosphere is one of celebration and unity, with the women enthusiastically supporting the cause.
4) The image depicts a large group of women gathered in front of a grand historical or governmental building in India. The women are dressed in colorful traditional Indian attire, including sarees and salwar kameez. They are holding and waving the Indian national flag, showing a strong sense of unity and patriotism. At the center of the group, there is a man dressed in a bright pink turban and kurta, standing on a platform with a board displaying a portrait and text, possibly representing a leader or a significant figure. The background features an elaborate building with domes and arches, characteristic of Indian architecture. The mood of the image is celebratory and empowering, with many women making victory signs with their hands.
5) The image depicts a large assembly of women in front of a grand, historical or governmental building in India. The scene is vibrant with women dressed in colorful traditional Indian sarees. The gathering appears to be significant, possibly a rally or celebration. Key elements of the image include: Building: The backdrop features an impressive structure with domes and arches, reminiscent of classical Indian architecture, suggesting it could be a palace, government building, or an important historical site. Women in Traditional Attire: The women are wearing a variety of brightly colored sarees, adding to the vibrancy of the scene. They are gathered in a show of solidarity or celebration. Central Figure: A person in a pink outfit stands on a platform, possibly addressing the crowd or leading the event. Indian Flags: Several Indian flags are visible, reinforcing the national significance of the event. Portraits: There are framed portraits of notable individuals, indicating respect or homage to important figures, likely connected to the context of the gathering. Raised Hands: Many women have their hands raised in a gesture of unity or support. The overall atmosphere is one of unity, pride, and celebration, with a strong emphasis on cultural and national identity.

3673711239611791_Dream Studio
1) The image depicts a large group of women posing for a photo, with many holding up the victory sign. In the center, a man who appears to be a notable figure is also present, showing the victory sign and wearing a colorful scarf. The group is standing on steps, suggesting it may be at a significant building or location. Text is overlaid on the image in Hindi, which translates to: On the left side (in orange): "33% reservation and equal rights through the establishment of a commission" On the right side (in green): "Women are becoming participants in policy making" A logo in the center bottom of the image features an illustration of the man in the scarf, with additional text and a decorative border. The overall mood of the image suggests celebration and unity, likely in the context of a significant announcement or achievement related to women's rights and participation in governance or policy making.
2) The image depicts a large group of women gathered on the steps of a building with arched doorways. The women are dressed in a variety of colorful, mid-20th century outfits, including dresses, coats, and hats. They are posing cheerfully, many with their arms raised, waving, or gesturing with joy. The diversity in clothing colors and styles adds to the vibrant and festive atmosphere of the gathering. The setting appears to be outdoors, likely in front of a significant or historic building, suggesting a celebratory or momentous occasion.
3) The image shows a large group of women, all dressed in vibrant, colorful outfits, standing on the steps of a grand building with ornate architectural details. The women are wearing long coats in various bright colors such as yellow, red, orange, pink, blue, green, and purple. They are also adorned with matching hats and white gloves. The group appears to be cheerful and celebratory, with many of the women waving or raising their arms in joy. The overall mood is festive and jubilant, set against the backdrop of the elegant entrance of the building.
4) The image shows a large group of women posing on the steps of a grand building with tall columns and ornate architecture. The women are dressed in an array of vibrant, colorful outfits, including coats, hats, and accessories in every color of the rainbow. The colors are evenly distributed among the group, creating a visually striking and harmonious scene. The women appear joyful and celebratory, adding to the overall lively and festive atmosphere of the image.
"5) The image shows a large group of people, predominantly women, posing on the steps of a grand building with classical architecture. The building features tall, ornate columns and detailed carvings, indicative of a historic or significant public structure, such as a government building or museum.
The women are dressed in vibrant, multicolored outfits, each wearing different shades of bright colors like pink, orange, red, yellow, blue, and green. The diversity in their attire creates a visually striking and colorful scene. They are arranged in several rows on the steps, smiling and looking towards the camera, suggesting a celebratory or formal gathering. The overall mood of the image is joyful and festive, emphasized by the lively colors and the grand setting".

3673711239611791_Midjourney
1) The image depicts a large group of women posing for a photo, with many holding up the victory sign. In the center, a man who appears to be a notable figure is also present, showing the victory sign and wearing a colorful scarf. The group is standing on steps, suggesting it may be at a significant building or location. Text is overlaid on the image in Hindi, which translates to: On the left side (in orange): "33% reservation and equal rights through the establishment of a commission" On the right side (in green): "Women are becoming participants in policy making" A logo in the center bottom of the image features an illustration of the man in the scarf, with additional text and a decorative border. The overall mood of the image suggests celebration and unity, likely in the context of a significant announcement or achievement related to women's rights and participation in governance or policy making.
2) /imagine an image based on this description: The image depicts a large group of Indian women, all dressed in colorful traditional attire, surrounding a man dressed in saffron robes, indicating he might be a religious or spiritual leader. The women appear to be celebrating or demonstrating, as many are raising their hands in the air and smiling. The man in the center is also raising his hands and smiling broadly. At the bottom of the image, there is a sign with text in both Hindi and English. The English part of the sign reads: "3% reservation and equal rights, establishment of a commission. Women are becoming participant participants in policy making." The scene takes place in front of a grand building with wide steps and several doorways, suggesting a significant location, possibly a governmental or important public building. The mood of the image is jubilant and empowered, reflecting the women's active involvement in advocacy or a celebratory event related to women's rights and policy participation.
3) /imagine an image based on this description: The image depicts a vibrant and joyous scene in what appears to be a traditional Indian setting. A group of people, mostly women, dressed in bright orange and yellow saris, surround a central figure. The central figure is a bearded man dressed in saffron robes, standing on steps with his arms raised in an expressive gesture, as if leading a celebration or ritual. The surrounding individuals are similarly engaged, with hands raised and expressive gestures, suggesting a collective celebration or spiritual event. The background includes intricate architectural details, hinting at a historic or sacred location. Flower petals are scattered on the steps, adding to the festive atmosphere.
4) /imagine an image based on this description: The image depicts a vibrant and lively scene of a religious or spiritual gathering. In the center, a bearded man dressed in a bright orange-yellow robe stands on a set of stairs with his arms raised, leading what appears to be a celebration or ritual. Surrounding him are numerous women dressed in colorful sarees, primarily in shades of orange, yellow, and pink. They are joyfully participating in the event, with some throwing flower petals and others reaching out towards the man in the center. The steps are adorned with marigold garlands and scattered flower petals, enhancing the festive atmosphere. The backdrop includes an intricately designed structure, suggesting a temple or a significant cultural site. The overall mood is one of joyous reverence and communal celebration.
5) /imagine an image based on this description: The image depicts a grand and vibrant scene set on the steps of a temple or a significant architectural structure. At the center is a man with a long beard, dressed in an orange robe adorned with garlands of marigolds, and gesturing joyously with his arms raised. Surrounding him are numerous women, dressed in colorful traditional Indian attire, also adorned with jewelry and flowers. They are engaged in various expressions of devotion, admiration, and celebration, some clapping, others raising their hands in reverence, and a few sprinkling flowers. The scene is lively with marigold petals scattered on the steps and floating in the air, enhancing the festive and divine atmosphere. The backdrop features ornate architectural elements, suggesting a historical or cultural setting.

741964741427730_Dall-E
1) The image shows a political rally on a street, likely in India. Here are some details: People and Vehicle: A red Jeep is prominently in the foreground, adorned with orange flags displaying a lotus symbol, indicative of the Bharatiya Janata Party (BJP). On the Jeep, two men are standing, one of whom appears to be addressing or greeting the crowd. Both are wearing orange scarves, also associated with the BJP. There is a group of people on the right side of the image, including men, women, and children, who seem to be cheering or engaging with the people on the Jeep. Surroundings: The event takes place in a narrow street flanked by buildings. One of the buildings has a blue sign with white text written in Gujarati, suggesting the location might be in Gujarat, India. The sign reads "Shri Ramji Ni Pol," referring to a locality or shop. Flags and Decorations: The vehicle and the surroundings have decorations, likely for the rally or event. Orange is a recurring color, consistent with the BJP's branding. Time of Day: The shadows and lighting suggest that the event is taking place in the daytime, likely in the morning or late afternoon. The scene captures a lively moment from a political campaign or rally, with active engagement between the politicians and the local populace.
2) The image depicts a political rally taking place on a narrow street in India. The scene is vibrant with a crowd of supporters gathered around two jeeps. The most prominent vehicle is a red Jeep, adorned with orange flags featuring a lotus symbol, which is associated with the Bharatiya Janata Party (BJP). The Jeep is also decorated with garlands of marigold flowers. Three men standing in the red Jeep are wearing traditional Indian attire and orange scarves, indicating their affiliation with the BJP. The crowd around them includes men and women, many of whom are clapping and wearing similar orange scarves. The buildings lining the street display various signs and banners in regional languages, with one large sign prominently featuring the lotus symbol and a portrait of a political figure. The overall atmosphere is one of enthusiasm and support for the political event.
3) The image depicts a vibrant political rally in an Indian street. Central to the scene is a red jeep adorned with marigold garlands, carrying three men, likely political figures, who are also decorated with garlands. The crowd lining the street is enthusiastic, clapping and dressed in traditional Indian attire, including saffron turbans and scarves. Prominent orange flags with a white lotus symbol and Hindi text are visible, suggesting affiliation with the Bharatiya Janata Party (BJP). Additionally, large posters of a smiling man, presumably a political leader, are displayed on the buildings. The street is decorated with orange marigold flowers, adding to the festive atmosphere of the rally.
4) The image depicts a vibrant political rally or parade in India, featuring strong elements of the Bharatiya Janata Party (BJP). Key elements of the scene include: Central Figure: A red jeep adorned with marigold flowers is at the center, carrying a few prominent individuals, likely political leaders, who are waving to the crowd. The jeep is leading the parade, with people standing and cheering on both sides of the street. Crowd and Decorations: The streets are lined with enthusiastic supporters, many wearing orange turbans and scarves, symbolizing their support for the BJP. Orange marigold garlands are hung across the street, enhancing the festive atmosphere. Large Posters: Two large posters dominate the scene. One features a prominent image of Narendra Modi, India's Prime Minister and a senior leader of the BJP. The other poster features another significant figure, presumably another BJP leader, with his image framed in orange marigolds. BJP Flags and Symbols: The BJP's logo, a lotus flower, is prominently displayed on flags being waved by supporters and on banners hanging above the street. The logo is also visible on the jeep, reinforcing the party's presence and message. Buildings and Banners: The surrounding buildings are decorated with BJP banners and slogans, indicating a well-organized event aimed at garnering support for the party. Overall, the image captures the energy and enthusiasm of a political event, showcasing the strong support for the BJP and its leaders among the attendees.
5) NA

741964741427730_Dream Studio
1) The image shows a political rally on a street, likely in India. Here are some details: People and Vehicle: A red Jeep is prominently in the foreground, adorned with orange flags displaying a lotus symbol, indicative of the Bharatiya Janata Party (BJP). On the Jeep, two men are standing, one of whom appears to be addressing or greeting the crowd. Both are wearing orange scarves, also associated with the BJP. There is a group of people on the right side of the image, including men, women, and children, who seem to be cheering or engaging with the people on the Jeep. Surroundings: The event takes place in a narrow street flanked by buildings. One of the buildings has a blue sign with white text written in Gujarati, suggesting the location might be in Gujarat, India. The sign reads "Shri Ramji Ni Pol," referring to a locality or shop. Flags and Decorations: The vehicle and the surroundings have decorations, likely for the rally or event. Orange is a recurring color, consistent with the BJP's branding. Time of Day: The shadows and lighting suggest that the event is taking place in the daytime, likely in the morning or late afternoon. The scene captures a lively moment from a political campaign or rally, with active engagement between the politicians and the local populace.
2) The image depicts a large group of people participating in a rally or procession. They are all wearing orange clothing and waving orange flags with a lotus symbol, which suggests they might be supporters of a political party or movement. The crowd is walking alongside an orange jeep, which has people standing inside and on top of it, waving and cheering. The scene appears to be taking place in an urban area with buildings in the background. The atmosphere is lively and energetic, indicating a strong sense of unity and enthusiasm among the participants.
3) The image depicts a massive crowd of people all dressed in orange attire. The scene appears to be a large rally or demonstration, with the participants filling the entire width of a wide street and extending far into the distance. In the middle of the crowd, there is an orange Jeep-like vehicle with several people riding on top and around it. Many of the people in the crowd are raising their hands or waving orange flags, creating a sense of unity and enthusiasm. The atmosphere suggests a significant event or movement, characterized by the overwhelming sea of orange and the energetic participation of the crowd.
4) The image depicts a large crowd of people, all dressed in orange clothing, completely filling a wide city street. The people are tightly packed together, and there are a few vehicles, such as cars and SUVs, attempting to move through the crowd. The buildings on either side of the street are tall and densely packed, indicating an urban setting. The scene appears to be a massive gathering or protest, with the orange-clad participants stretching far into the distance, creating a sea of orange that dominates the view. The atmosphere seems intense, with the sheer number of people creating a sense of unity and collective movement.
5) The image depicts a vast crowd of people, all dressed in identical orange robes, filling a wide city street that stretches far into the distance. The street is lined with tall, somewhat weathered buildings on either side, creating a canyon-like effect. A few vehicles are scattered among the crowd, seemingly navigating through the dense mass of people. The overall atmosphere suggests a large, organized gathering or march, with the sea of orange robes dominating the scene under a sky with a soft, warm light

741964741427730_Midjourney
1) The image shows a political rally on a street, likely in India. Here are some details: People and Vehicle: A red Jeep is prominently in the foreground, adorned with orange flags displaying a lotus symbol, indicative of the Bharatiya Janata Party (BJP). On the Jeep, two men are standing, one of whom appears to be addressing or greeting the crowd. Both are wearing orange scarves, also associated with the BJP. There is a group of people on the right side of the image, including men, women, and children, who seem to be cheering or engaging with the people on the Jeep. Surroundings: The event takes place in a narrow street flanked by buildings. One of the buildings has a blue sign with white text written in Gujarati, suggesting the location might be in Gujarat, India. The sign reads "Shri Ramji Ni Pol," referring to a locality or shop. Flags and Decorations: The vehicle and the surroundings have decorations, likely for the rally or event. Orange is a recurring color, consistent with the BJP's branding. Time of Day: The shadows and lighting suggest that the event is taking place in the daytime, likely in the morning or late afternoon. The scene captures a lively moment from a political campaign or rally, with active engagement between the politicians and the local populace.
2) The image depicts a vibrant street scene in India, capturing a parade or rally. A bright orange jeep, adorned with flags and symbols, is the central focus, and it is being driven through a narrow, bustling street. The jeep has two men standing on its roof, both dressed in orange attire, possibly leading or participating in the parade. Surrounding the jeep are numerous people, many also dressed in orange, suggesting a coordinated event or celebration. The street is lined with small shops and buildings adorned with signs in Hindi. The atmosphere is lively, with flags waving, people watching, and the overall setting reflecting a culturally rich and festive occasion.
3) The image depicts a vibrant street scene likely in an Indian city, with a parade or procession taking place. Central to the image is an orange jeep adorned with flags and garlands, carrying several men dressed in saffron or orange attire, which is often associated with Hindu religious processions or events. The jeep is moving down a narrow, crowded street lined with buildings featuring various signs and banners in Hindi. The onlookers and participants, also dressed in orange, contribute to the festive and religious atmosphere of the scene.
"4) The image depicts a vibrant street scene in what appears to be an Indian city. The focus is on a red Jeep decorated with orange flowers and garlands, possibly part of a religious or cultural procession. The Jeep is surrounded by people wearing orange robes, suggesting they might be monks or participants in a religious festival.
The street is adorned with orange flags and marigold garlands hanging across the buildings, adding to the festive atmosphere. The buildings on either side of the street are adorned with various signs written in Hindi, indicating shops or businesses. The overall scene is lively, colorful, and bustling, capturing the essence of a local celebration or event."
5) The image depicts a vibrant street scene in an Indian city. The street is adorned with orange marigold garlands hanging across the road, creating a festive atmosphere. A red jeep decorated with flowers drives down the street, surrounded by a crowd of people. Many of the people are dressed in traditional saffron-colored robes, indicating they are monks or participants in a religious or cultural procession. The buildings lining the street have signs in Hindi, adding to the local cultural ambiance. The scene is lively, colorful, and filled with a sense of celebration and community.

793416362694934_Dall-E
1) The image depicts a group of people standing in a line on a sidewalk, all wearing masks, indicating that this is likely during the COVID-19 pandemic. One person in the foreground is holding a large sign that reads "THIS IS RIDICULOUS." The scene suggests that people are waiting for something, possibly related to health measures, testing, or vaccinations. The mood appears to be one of frustration or discontent, as indicated by the sign. The setting is an urban area with a building in the background.
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5) NA

793416362694934_Dream Studio
1) The image depicts a group of people standing in a line on a sidewalk, all wearing masks, indicating that this is likely during the COVID-19 pandemic. One person in the foreground is holding a large sign that reads "THIS IS RIDICULOUS." The scene suggests that people are waiting for something, possibly related to health measures, testing, or vaccinations. The mood appears to be one of frustration or discontent, as indicated by the sign. The setting is an urban area with a building in the background.
"2) The image depicts a group of people standing outside a building, likely involved in a protest or demonstration. Everyone is wearing face masks, suggesting the event is taking place during a time when health precautions are necessary, such as during the COVID-19 pandemic. The individuals hold various signs with messages, although some of the text is not clearly readable. Here are a few observable details:
Foreground: Several individuals are prominently featured. One person in the front is holding a sign with the letters ""OMS"" written on it. Another person next to them holds a sign, but the text is partially obscured or unclear.
Background: More people are visible standing behind the main group, also wearing masks. The background includes a brick wall with a window, indicating an urban setting.
Signs: Some signs have readable text:
One sign reads ""IS IS VANITTE.""
Another sign has the letters ""T-FINAE FUNDOS AO.""
The overall mood of the image conveys a sense of unity and purpose among the group, with a focus on maintaining health safety through the use of masks. The demonstration seems to address specific issues, though the exact nature of the protest is not fully clear from the image alone"
3) The image depicts a group of protesters standing in front of a building. They are wearing face masks and holding various signs. The signs feature text, though the letters appear jumbled and are not readable as standard words. The group consists of individuals of diverse backgrounds, and they are dressed warmly, suggesting cooler weather. The setting seems urban, with a cityscape backdrop. The mood conveyed is one of solidarity and determination.
4) The image depicts a group of people wearing masks, likely in a protest or demonstration. They are dressed in winter clothing, such as jackets, hats, and scarves, indicating cold weather. Each person is holding a sign with text on it, although the text appears to be distorted or unreadable. The background features a modern building with large windows, suggesting an urban setting. The overall atmosphere conveys a sense of unity and purpose among the group, possibly advocating for a cause or voicing their concerns.
5) The image shows a group of people participating in what appears to be a protest or demonstration. They are dressed warmly in winter clothing, including hats, scarves, and coats, and most of them are wearing face masks, indicating a setting during a time of health precautions, possibly related to COVID-19. The person in the front center is holding a sign with partially legible text, reading "VEAN NZ, NDAITE WATNIL SVE," which seems to be a nonsensical arrangement of letters, possibly meant to be symbolic or obscured for artistic effect. The overall atmosphere suggests a cold, urban environment with a serious or determined mood among the participants.

793416362694934_Midjourney
1) The image depicts a group of people standing in a line on a sidewalk, all wearing masks, indicating that this is likely during the COVID-19 pandemic. One person in the foreground is holding a large sign that reads "THIS IS RIDICULOUS." The scene suggests that people are waiting for something, possibly related to health measures, testing, or vaccinations. The mood appears to be one of frustration or discontent, as indicated by the sign. The setting is an urban area with a building in the background.
2) The image depicts a group of people standing in a line, all wearing face masks. The person in the foreground is holding a sign that reads "THIS IS RIDICLOUS" (with a misspelling of "ridiculous"). The individuals appear to be in an urban setting, possibly protesting or waiting in line for something. The mood conveyed by the sign suggests frustration or dissatisfaction among the group. The people are dressed in casual clothing and the background shows the exterior of a building with store windows and signage.
"3) The image depicts a group of people participating in a public gathering or protest. In the foreground, there is a young man with curly hair wearing a blue surgical mask, a gray hoodie, and a blue backpack. He stands with his arms crossed, looking directly at the camera.
In the background, other individuals, also wearing masks, are visible. One person holds a sign with a misspelled message that reads ""THIS RIDICLOUS"" and ""ridiculous."" The crowd appears to be diverse, with people of different ages and genders, all wearing casual clothing. The setting seems to be an urban area, possibly a street or a public square, with buildings and a storefront visible in the background."
4) The image depicts a group of young people, with the focus on a central individual wearing a surgical mask. The central figure, a young person with curly hair, is dressed in a grey hoodie and has a blue backpack. They are standing with their arms crossed, looking directly at the camera. The background shows a crowd of similarly dressed individuals, most of whom are also wearing masks, and some are holding signs. One of the signs visible in the background has the word "RIDICULOUS" prominently displayed, suggesting the context may be a protest or a public demonstration. The overall atmosphere appears to be serious and focused, with participants showing solidarity.
5) The image shows a group of young people participating in a protest. They are all wearing face masks and casual clothing, such as hoodies and jackets. The person in the foreground, likely a teenager with curly hair, stands with arms crossed, looking directly at the camera. In the background, there are other protesters holding signs, though the text on the signs is mostly obscured, with one partially visible sign reading "RIDIC US" or similar. The mood of the image suggests among the protesters.